Shawn Levy Reveals How They Filmed That Extremely Messy Deadpool Body Battle in DEADPOOL & WOLVERINE

Shawn Levy Reveals How They Filmed That Extremely Messy Deadpool Body Battle in DEADPOOL & WOLVERINE

Deadpool and Wolverine director by Shawn Levi He recently opened up about the epic one-shot battle Deadpool Corps and explained exactly what went into making it. He also said it was the most complicated shot he’s ever done as a director.

This is one of the great emotional moments of the film, as we see Deadpool and Wolverine brutally and violently fight against the Deadpool Corps. It’s a glorious moment that was destined to Madonna “Like a Prayer” and ends with the two heroes striking an iconic superhero pose.

During an interview with Weekly showLevy explained how that scene was shot, and admitted, “That’s the most complicated shot in the movie. It’s the most complicated shot I’ve ever done on a movie, and, frankly, it’s more complicated than most shots any of us will ever see on a movie.”

He continued: “It took nine months of preparation, starting with the idea, which was always a lateral tracking shot, always left to right, always with ‘Like a prayer’ in mind.”

“It aspired to be an ecstatic symphony of violence. It started with storyboards. That evolved into pre-visualization, where you animate the storyboards.

“So the next big hurdle was, let’s take 50 stuntmen and figure out how to do this with real humans and bodies in space, because those are not digital stuntmen. Those are real fighters all the way through.

“So the big fly in the ointment is: What happens when you don’t train in a tracksuit anymore? Your body doesn’t move the same way anymore. It took hundreds of teammates to figure that out and get it right. It’s one of our great prides.”

Levy went on to argue that everything was scripted and that improvising in such a scene is simply not possible.

The director said: “A lot of that was scripted. I want to credit the whole section in the bus with that shot. That was our storyboard artist, Jeremy Simser. That section of the bus and the idea of ​​the windows getting darker and darker with blood splatter, that was Jeremy.

“I mention that because I really think the key to directing is to be loose enough to be open to the best possible idea, no matter where it comes from. I’m a huge beneficiary of the amazing creativity of the entire team.”

There was one thing that was added to the scene later: “The only thing I remember being added later was Ryan fumbling and touching this glorious epic action sequence with a very awkward descent, and then Deadpool commenting on his horrible descent because we could have just ended it with superhero glory, but somehow it’s not quite Deadpool. You always want to zig when the expectation is for the genre to zag.”

Well, even though it wasn’t easy, Levy and his team managed to create an incredibly spectacular battle sequence that fans really enjoyed!

by Joey Fear
Source: Geek Tyrant

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