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"Guests were treated miserably" : Juan Branco rocking behind the scenes of TPMP

In his book Hanouna, published Thursday, June 1, Juan Branco lays out the behind-the-scenes of Touche pas à mon poste (C8), both literally and figuratively.

“What is Cyril Hanouna? Nothing. Nada. Keutchi”. Juan Branco begins his book with these few words. Chanuna here it deciphers the workings of the server’s flagship program specifically: don’t touch my TV (C8). If the newly released book doesn’t make huge revelations about the private life of the person who is the cornerstone of C8, the lawyer lifts the curtain on an unknown aspect of the show.

passed several times in the T setPPM thus pointing to the reception conditions in the studios. “We’re trying to get you to arrive very early to lock you in some kind of hangar.”, he writes, claims to have been left alone in a small room with rare sweets. A lodge he defines in this way “a concrete prison without any decorations”. “Everything is pretty dirty, rough, the overwhelming walls are illuminated by a particularly unpleasant halogen light and everything stinks of garbage”adds the lawyer.

Condition of locker rooms and backstages TPMP This is not the only detail in Juan Branco’s book that he sharply criticizes. The lawyer was surprised “Despite the enormous amounts produced”, “general conditions are plain to say the least”. Thus, it confirms that the production did not call a catering company to feed certain guests, but sent one of their employees. “buy triangle sandwiches” at the supermarket.

In addition, some speakers from the provinces and “popular layers”, being traded “miserably“. According to him they, “They were placed in shabby hotels next to arrivals stations, sometimes kept in unfurnished rooms after being checked out abruptly”. And that’s not all because it also evokes “The security guards are not necessarily very nice” And “Employees that we feel are under a bit of pressure”. To end this statement behind the scenes, Juan Branco writes to drive the point home:Everything is pretty dirty, too big, too empty, too disembodied, really neglected, undecorated and all that”.

Clara Kolodny

Source: Programme Television

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