Review of Venice: Georgia Oakley’s ‘Blue Jean’

Review of Venice: Georgia Oakley’s ‘Blue Jean’

A lesbian gymnastics teacher navigates Margaret Thatcher’s Britain under Article 28 of the Laws. Blue jeansGeorgia Oakley’s first feature film premieres in the Giornate degli Autori section of the Venice Film Festival.

Even though he appeared in a recent documentary unruly handsThe impact of Section 28 was rarely shown on screen, especially from a female perspective, which is encouraging. Blue jeans A refreshing and educational hour.

Section 28 was a law introduced between 1988 and 2003 by Prime Minister Thatcher’s Conservative government that prohibited local authorities from “promoting homosexuality” in the UK. There was no shortage of protests, but many gay men and women were forced to keep their sexuality a secret.

Jean (Rosie McEwen) is one of those people. She teaches in a girls’ school and is clearly aware of the impact of any rumors on her personal life or her behavior. She at night she goes to gay bars with her girlfriend Viv her (Carrie Hayes), where she almost relaxes. But when Jean’s sister arrives and asks for help with the babysitter, Jean goes off again knowing that her law makes him a suspicious figure for her family as well.

It’s a vivid account of a life lived partly in hiding and the impact it has on everyone involved, from Jean to Vivi to the girls in the gym. One of them is Lewis (Lucy Halliday), a struggling new student who Jean sees in a gay bar. Conflicts and moral dilemmas abound, but they are not always what one would expect.

not all dialogues Blue jeans Sounds credible: Sometimes the politically correct claim is too modern for, say, 1980s Newcastle. But there is a sense of sisterhood to the scenes at Vivi’s home, which also doubles as a community safe haven for lesbians. , some of which have been rejected by their families. And the emotions experienced by her complex female protagonist are certainly compelling, despite being mostly internal. McEwen leads a highly effective cast in this touching personal and political drama, which also includes a retro soundtrack.

Source: Deadline

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