With a poor rating, “Don’t Worry Darling” is trashed by critics

The expected work Olivia Wilde It was finally presented to the public at the 2022 Venice International Film Festival and, to the surprise of many, critics received it with a dismal 39% approval rating in Rotten tomatoeshand in hand with strong arguments against history and production.

It’s no secret that this new film has a history of drama both inside and behind the scenes, as the Olivia Wilde scandals have given a lot to talk to the press in recent months and several conflicts and behind-the-scenes rumors have become the subject of criticism on social networks.

Anyway the movieDon’t worry honey’was presented at the 2022 Venice International Film Festival and, to the surprise of the public, the opinions of the critics destroyed the production and the story directed by the actress and director Olivia Wilde, although they highlight the role of Florence Pugh The protagonist.

“There is a lot of brilliance, but little originality. It’s always nice to see an up-and-coming director lead a large-scale project like this, with great resources and a great cast, but Don’t Worry Darling is obvious even when it gets bizarre.David Rooney wrote The Hollywood reporterabout the work of Olivia Wilde, who presents this film as her second job as a director.

“Don’t Worry Darling” gets terrible reviews

For his part, Matthew Turner of iNewsensures that “the film raises far more questions than it answers, and as a result is deeply unsatisfactory. That disappointment is further compounded because there is so much potential in the issues raised”, Clarifying that ‘Don’t Worry Darling’ will not be as successful as expected.

Don’t Worry Darling never really shines through. It’s a pastiche that looks beautiful, but it’s disastrous ”: Leah Greenblatt of Weekly entertainment.

“Don’t Worry Darling collapses, revealing that Katie Silberman’s script has little to say about the growing tension between modern feminism and incel culture.”Observes Marlow Stern of The Daily Beastand as if that weren’t enough, he concludes: “Olivia Wilde is capable of much more than this hollow Black Mirror imitation“.

To better explain what’s going on, Brian Truitt of USA Todayposes this idea:Don’t Worry Darling is like a very ambitious plate of food, with key ingredients, but they feel raw.“And claims that”The lack of chemistry between Pugh and Styles is another disconnect: his dynamic with Pine, while antagonistic, is far more effective and isn’t explored enough.“.

On the work of director Richard Lawson of Vanity FairHe says: “Wilde offers no new ideas. There are also some contradictory elements in the film’s big secret premise, a confusing clash of false empowerment and degradation.”, Thus coinciding with most of the harsh criticism that ‘Don’t Worry Darling’ received and that jeopardized its long-awaited theatrical release on 22 September.