Hollywood wants to save it until it is too late

Hollywood stands at a intersection – this was announced by leading American producers during the discussion at the AVP Summit in Northern Italy this week. According to them, if algorithms want to survive during the increasing disintegration of the audience, the industry must be updated, more courage and less change of change.

The debate attended the creating of iconic projects such as “criminal reading”, “Erin Brochovich” and “other world”. The producers said Hollywood lost the sense of community born on the set and now the struggle has become more difficult than ever before the audience’s attention.

One of the main challenges is not in a creative way to change studios and focus on profit. Gary Luchezi, the producer of Adalin and Primitive Horror, remembered that it was “sacred ,, to pass through Warner Bros or Disney Gates, and now half of the studios are idle. Steisi Cher (“Crime Fiction”, “Dzhango Freed”), the industry is controlled by a company whose interests are far from art and cinema.

However, despite the crisis, the participants at the meeting see their growth points. In the 1990s, they talk about the need to lead to new sounds, as with independent cinema. However, while the studios are afraid of taking risks, the talents leave Los Angeles where the conditions are better-on the blood, Louisiana, Atlanta and even abroad.

Tax incentives brought up the issue separately. Although California recently increased them to $ 750 million a year, this is not enough for the background of 2 billion in Texas, for example. McCriri, not the income of the stars, from carpenter to decorators for thousands of experts for thousands of experts to explain about workplaces, he said.

In the meantime, we have previously written why Hollywood has experienced a serious crisis. Read the details here.