‘Ambulance’ Review: Jake Gyllenhaal and Cast Try to Survive Michael Bay’s Dizzy and Exhausting LA Freeway Chase Flick

It seems like Jake Gyllenhaal is a big fan of Danish movies. Emergency It celebrates its second remake of the Danish movie, years after last year’s remake. Guilty, Film directed by Antoine Foucault. Both English versions have the same city of Los Angeles, which is a very dangerous place for vehicles and escaped criminals alike. In Guilty, Gyllenhaal ran the ambulance call center and all the action took place there, a one-on-one show of sorts. Such a story would never work for Michael Bay, who discovered it in 2005 in director Laurits Munch-Petersen. Ambulance dream car – Really – Carry out your trademark-laden rebellion. And in true Bay fashion, there is never enough extra action. The original movie was 80 minutes long. Bay’s continuous playing time is 136 minutes. You will get an image. The kid loves movie making toys and wants to stay on the field as long as possible.

This playground is LA Highways and Streets Locals are accustomed to movie-style events involving the LAPD, and various suspects check the news in real time with overhead helicopters to get all the action from different angles. It seems pointless to turn all this into an unbelievable movie. From course This is manna from heaven for people like Mr.Transformers, Rocky, Armageddon, Bad Boys, etc.) Who has never encountered a chase where he could not use or hit the ground. Explosives, skirmishes, gunfights, you name it, he loves it. Michael Bay movies are exciting and Emergency The course meets the criteria. Not surprisingly, the wagon, which moves on wheels in such chaos, is getting older. Fast and furious The franchise would ignite this idea. Based on an event I attended at Playa Vista where I counted 12 paying customers at 7pm, including myself, it might be a little dated on Thursday night preview.

The answer to that question isn’t slick or depressing because Bay, a one-note director who knows how to put people on the screen, isn’t stuffed with action. On reboot, at any rate. Bay never stops moving the camera in all directions. It almost seems like he has attention deficit disorder in this regard. Check out my video review above (with Bay-inspired glasses) for scenes from the movie. With the help of cinematographer Roberto de Angelis, the camera pans forwards, backwards, sideways, close-ups and backwards without slowing down for a second. Oh, and I caught them allis visual style, in the relentless pace of events, the delivery line is torn apart (game editors Doug Brandt, Pietro Scalia and Calvin Wimmer) are pretty good players.

Gyllenhaal plays Danny Sharp, the son of a notorious criminal who follows in his father’s footsteps and tries to rob a massive bank that broke a record $32 million. It has the ability to apply strong odds to help. When his half-brother Will (Yahya Abdul Matin ll) accompanies him to take out a loan to meet his wife’s urgent medical needs, his brother instead promises him more money than he had imagined, and turns him into a heist plot. A desperate Willie agrees.

Unfortunately, this all goes horribly wrong, and the LAPD (Garrett Dilahunt leads the charge with his annoyed dog for comic relief) and the FBI (led by Kir O’Donnell) quickly take the case and prosecute. Catching an ambulance carrying a critically injured police officer (Jackson White) and EMT Cam Thompson (Eiza Gonzalez), Willie gets behind the wheel while Danny worries about saving money. For whatever reason, with instructions over Zoom, Thompson also had to perform a complex emergency operation while chasing and shooting a police officer. The rest of the movie rarely slows his breathing as it ends after a grueling time.

Gyllenhaal plays pretty badly and Matin is the perfect choice to create the man we truly love, which is no easy task considering that Bay never gives up. Gonzalez is excellent here too. It’s not the fault of our stars, and frankly, yes. Everybody What you want is a highway chase, deliver that spot. Bay clearly knows that the recipe calls for emotional and comedic kicks along the way, and adds them to the mix quickly, but never lets the camera linger long enough for those elements to pack a punch. Again, this is a journey and this is the final game. Period. there is a reason for this Emergency.

Producers Bay, Ian Bryce, Bradley J. Fisher, William Sherak and James Vanderbilt. Wagon is only in theaters today.

Planning a visit? Emergency? Come on tell me what you think.