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CAA Sets May Dates for Moebius Film Festival, Returns as First Face-to-Face Event in Two Years

The Creative Arts Agency announced on Monday that CAA Moebius, the annual screening series featuring various graduate film students, will return in person on May 18-19.

For the seventh year in a row, the festival features live-action and animated shorts from 13 leading directors from the USC School of Cinematography, CalArts School of Film/Video, Chapman University’s Dodge College of Film and Media Arts, USA. Film Institute Conservatory and, for the first time, the University of North Carolina School of the Arts. The 2022 Festival will feature storytellers from Mongolia, Mexico, South Korea, the United Kingdom, Thailand and the United States with stories focusing on marginalized voices, mental health issues, identity seeking and dream recording. A comedy about an 8-year-old boy who plots to turn his first R-rated movie on or off.

CAA Moebius was founded in 2015 by Lingie Park, along with interns at the time and now CAA Motion Picture agents Christina Chow, Zach Kaplan, and Pete Stein. The festival is produced in collaboration with colleagues from the CAA Film Department and attracts attendees from top agencies, management companies, production companies, studios, networks and broadcast companies.

“Each of these talented directors brings a unique perspective to their work. “The rich story explores a variety of themes and genres, emphasizing the diversity of experiences,” Chow, Kaplan, Park, and Stein said in a joint statement. Said. “We are pleased to continue our mission to provide a platform that will help open the door to the next generation of filmmakers that reflects Moebius’ rich soundscape.”

Moebius supports CAA’s growing commitment to diversity, equality and inclusion, both internally and externally. You can find more information about the films to be screened at the 2022 festival below:

Day 1 – Wednesday, May 18

RATED R Director Reid Antin (USC)

The story of an 8-year-old boy who plans to steal it to watch his first R-rated movie against his mother’s wishes, and eventually gets a lot more than he had hoped for.

LUX NOCTIS Director Damiana Acuña (AFI)

In a post-apocalyptic matriarchal society, grieving Lina is faced with the temptation to bring the light or die in the dark. Mara’s compassion forces Lina to transcend herself and create an unprecedented light.

RED VELVET Director Daniel Gibson (Chapman University)

Aviva Ardor, a 26-year-old Afro-Latina woman, seeks a personal connection after she feels she doesn’t fit into her Black or Latina communities. After seeking understanding, Aviva must accept herself as a composite whole.

INSOMNIA Director Haerim Yang (CalArts)

A girl who cannot sleep at night enters a strange world.

CARRION Director Yvonne Zhang (AFI)

A spooky adult immigrant folk tale about a girl’s last night with her mother as she knew her.

MAGDALENA Director Michael Lazowski (AFI)

A Slovakian woman can’t shake the demons of her terrible past when they return to haunt her and threaten to destroy the life she’s worked tirelessly to build.

Day 2 – Thursday 19 May

ORBITA Director Udval Altangerel (CalArts)

The film director, the first consecutive Mongolian astronaut, navigates through the darkness of the camera orbiting his home. His personal narrative is embedded in Mongolia’s past as a satellite state. ORBITA is a filmmaker returning to its name and with it the history of the country.

Sam Unbound from Ralph Parker III (UNCSA)

Sam is a black doll who seeks freedom from the play’s oppressed audience.

HOPPER’S Day Director Jingqi Zhang (CalArts)

Cricket wants to fulfill his dream in an abandoned race.

You’re desperate now, Arizona Principal Nick Dugan (Chapman University)

When a severely traumatized alcoholic is ordered to kill an AA boss whose gambling debts are worse than his own, he must learn the art of self-forgiveness or succumb to a constant cycle of moral depravity.

OST. Directed by Abhichoke ‘Note’ Chandrasen (USC)

An assistant working on a feature-length horror movie discovers that his malevolent perfectionism is manifesting as the movie’s villain and won’t let him go out at night if he doesn’t get a full score.

CHARLOTTE Director Zach Dorn (CalArts)

A pop song changes the lives of a mysterious folk singer and her family.

The team is led by Daniel J. Egberto (AFI)

After missing his wife’s phone call on the morning of September 11, a weak and depressed music teacher must adjust to her 14-year-old son, who is increasingly despairing.

Source: Deadline

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