Top Gun: Maverick, Elvis And Pinocchio by Guillermo del Toro were among the screen winners at the Motion Picture Sound Editors’ 70th Annual Golden Reel Awards, held Sunday night at the Wilshire Ebell Theater in Los Angeles. See the full list below.
Oscar Nominee for Best Picture Top Gun: Maverick by Paramount and Warner Bros. elvis won for Outstanding Achievement in Sound Editing, Cinematic Effects/Foley, and Music Editing for a Feature Film. Netflix Animated Film Oscar-Hopeful pinocchio, After dominating Saturday’s Annie Awards, he took home the award for Outstanding Achievement in Sound Editing – Game Animation.
Two more Best Picture Oscar nominees: Netflix No news from the western front and searchlight The Banshees of Inisherin – also picked up trophies, as well as the film documentation Good night Oppie from Amazon and monday dream of neon and HBO documentaries.
Among the small screen winners at MPSE’s first in-person awards ceremony since 2020 was that of Netflix strange things – the only film or TV show to claim two Golden Reels – and love, death + robot, who received four Annie Awards on Saturday. Other TV winners included The bear, the crown And Pitch Perfect: Bumper in Berlin.
Sony video game God of War Ragnarok was the only double other Golden Reel winner tonight.
Elsewhere, Jerry Bruckheimer accepted the MPSE’s Filmmaker Award presented by Top Gun: Maverick Director Joe Kosinski and star producer Tom Cruise, the latter in a taped introduction. The Career Achievement Award went to recording engineer Gwendolyn Yates Whittle, three-time Oscar nominee for Avatar: The Way of Water, Tron And avatar.
“Sound editors play a critical role in bringing movies, TV shows and games to life,” said MPSE President Mark Lanza in his opening remarks. “We’ve seen incredible sound editing this year. From the explosive action of blockbusters to the subtle nuances of character-driven drama, sound editors have demonstrated the power of sound to engage, entertain and move us.”
Founded in 1953, the Motion Picture Sound Editors is a non-profit group of professional sound and music editors working in the film, television and game industries.
Here are MPSE’s 2023 Golden Reel Award winners:
sound editor
EXCELLENT SOUND EDITING PERFORMANCE – BROADCAST ANIMATION
Love, Death and Robots: “Buried in Vaulted Halls”
Netflix
Supervising Sound Editor: Brad North
Sound Designer: Craig Henighan|
Foley Artist: Antony Zeller
Foley Artists: Zane Bruce, Lindsay Pepper
EXCELLENT SOUND EDITING PERFORMANCE – LONG FORM DIALOGUE / ADR BROADCAST
The Crown: “Gunpowder”
Netflix
Supervising Sound Editor: Lee Walpole
Associate Dialogue Editor: Iain Eyre
ADR Associate Editor: Matt Mewett
ADR Editor: Sophie Mapplebeck
Crowd ADR Editor: Abbie Shaw
OUTSTANDING SOUND EDITING PERFORMANCE – BROADCAST LONG FORM EFFECTS / FOLEY
Stranger Things: “Chapter Seven: The Hawkins Laboratory Massacre”
Netflix
Associate Audio Editors: William Files, Craig Henighan
Sound editors: Angelo Palazzo, Ken McGill, Katie Halliday, Lee Gilmore, David Grimaldi, Chris
bonuses
Foley: Steve Bain
EXCELLENT SOUND EDITING PERFORMANCE – SHORT FORM BROADCAST
De Beer: “Review”
e.g
Supervising Sound Editor: Steve “Major” Giammaria
Sound Effects Editor: Jonathan Fuhrer
Dialogue Editor: Evan Benjamin
Sound editors: Annie Taylor, Chris White
Foley Artists: Leslie Bloome, Shaun Brennan
EXCELLENT SOUND EDITING PERFORMANCE – FEATURE ANIMATION
Pinocchio by Guillermo del Toro
Netflix
Supervising Sound Editor: Scott Martin Gershin
Sound Designer: Scott Martin Gershin
Sound Effects Editors: Masanobu “Tomi” Tomita, Andrew Vernon, Chris Richardson
Dialogue editors: Dan Gamache, Chris Richardson
Foley Artists: Dan O’Connell, John Cucci
OUTSTANDING SOUND EDITING ACHIEVEMENT – DOCUMENTARY
Good night Oppie
Amazon
Supervising Sound Engineer: Mark Mangini
Associate Dialogue Editor: Dave Bach
Sound Designers: Tim Walston, Dave Whitehead, Mark Mangini
EXCELLENT AUDIO EDITING PERFORMANCE – FOREIGN LANGUAGE FUNCTION
No news from the western front
Netflix
Supervising Sound Engineer: Frank Kruse
Sound designer: Markus Stemler
Accompanying Dialogue Editor: Alexander Buck
Responsible ADR editors: Benjamin Hörbe, Alexander Buck
ADR editors: Thomas Kalber, Moritz Hoffmeister
Foley Editor: Kuen Il Song
Foley artists: Carsten Richter, Daniel Weis
EXCELLENT SOUND PROCESSING PERFORMANCE – FUNCTIONAL DIALOGUE / ADR
The Banshees by Inisherin
Searchlight photos
Supervising sound editor: Joakim Sundström
Oversight of ADR processing: Simon Chase
Co-Foley Editors: Patrick Ghislain, Rebecca Glover
Foley Artist: Julien Naudin
EXCELLENT PERFORMANCE IN SOUND EDITING – EFFECTS / FOLEY FUNCTION
Top Gun: Maverick
Decisively
Supervising sound editors: Al Nelson, James Mather, Bjørn Ole Schroeder
Sound Designers: Christopher Boyes, Jed Loughran
Sound Effects Editors: Benjamin A. Burtt, Scott Guitteau, Rowan Watson, Qianbaihui Yang
Foley Editor-in-Chief: Luke Dunn Gielmuda
Foley editors: Dmitri Makarov, David Mackie
Foley Artists: Jana Vance, Ronni Brown, John Roesch, Shelley Roden
EXCELLENT SOUND EDITING PERFORMANCE – NON THEATRICAL ANIMATION
Rise of the Teenage Mutant Ninja Turtles: The Movie
Nickelodeon
Supervising Sound Editor: Jeff Shiffman
Sound Effects Editors: Jessey Drake, Brad Meyer
Dialogue Editor: Xinyue Yu
Foley Editor: Carol Ma
EXCELLENT SOUND EDITING – NON-CINEMA DOCUMENTARY
Formula 1: Drive to Survive: “Gloves Off”
Netflix
Associate Audio Editors: Steve Speed, Nick Fry
Sound Designer: James Evans
Sound Editing: Hugh Dwan
OUTSTANDING SOUND EDITING PERFORMANCE – NON-THEATRICAL FEATURE
prey
Hello
Associate Audio Editors: Chris Terhune, Will Files
Sound Designer: James Miller
Sound Effects Editors: Christopher Bonis, Diego Perez, Lee Gilmore
Supervising Dialogue Editor: Jessie Anne Spence
Dialogue Editors: David Bach, Korey Pereira
Associate Foley Editor: Annie Taylor
Sound editors: Nick Seaman, Roni Pillischer
Foley Artists: Leslie Bloome, Shaun Brennan
music editing
EXCELLENT MUSIC EDITING – LONG FORM BROADCAST
Stranger Things: “Chapter Nine: The Piggybacks”
Netflix
Music editors: Lena Glikson, David Klotz
OUTSTANDING ACHIEVEMENT IN MUSIC EDITING – SHORT FORM TRANSMISSION
Pitch Perfect: Bumper in Berlin: “Last Minute Panic”
NBC Universal
Music Editor: Andres Locsey
EXCELLENT MUSIC EDITING – DOCUMENTARY
monday dream
Neon/HBO Documentary
Supervising Music Editor: Brett Morgan
Music Editor: John Warhurst
EXCELLENT ACHIEVEMENT IN MUSIC EDITING – FEATURE MOTION PICTURE
elvis
Warner Bros.
Supervising Music Editor: Jamieson Shaw
Music Editor: Evan McHugh
Score Editor: Chris Barrett
game editor
EXCELLENT SOUND EDITING PERFORMANCE – GAME DIALOGUE / ADR
immortality
Half Mermaid
Audio Direction: Kevin Senzaki, Priscilla Snow
Dialogue Editor: Diana Cha
EXCELLENT MUSIC EDITING – GAME MUSIC
God of War Ragnarok
Sony
Musical Direction: Peter Scaturro, Keith Leary
Supervising Music Editor: Sonia Coronado
Music Editors: Yuen Man Chung Kelvin, Glen Andrew Brown, Rob Goodson, Bill Hemstapat, Adam Kallibjian, Collin Lewis, Kory McMaster, Monty Mudd, Kye Sebastian Voce
EXCELLENT SOUND EDITING PERFORMANCE – GAME EFFECTS / FOLEY
God of War Ragnarok
Sony
Sound direction: Frank Favre
Supervising Sound Designers: Michael Kent, Jeremy Rogers
Sound design leads: Alex Previty, Beau Anthony Jimenez, Bryan Higa, Stephen Schappler, Justin E. Bell
Supervising sound editors: Csaba Wagner, Samuel Justice
Lead Sound Artists: Nick Tomassetti, Aaron Sanchez, Ash Read, Dennis Bestafka, Derrick Espino, Jeshua Whitaker, Lewis Everest, Noburo Masuda, Tsubasa Ito, Ben Minto, Chris Sweetman
Audio Artists: Andres Herrera, Chris Kokkinos, Danny Barboza, Danny Hey, Kei Matsuo, Koji Niikura, Lewis Barn, Maria Rascon, Presley Hynes, Prin Keerasuntonpong, Robert Castro, Satsuki Sato, TJ Schauer, Harry Cohen, Luke Hatton, Michael Leaning, Barney Oram, Zachary Quarles, Stefan Rutherford, Paul Stoughton, Joe Thom, Graham Donnelly, David Farmer, Eilam Hoffman, Jason W Jennings, Bryan Jerden, Fred Pearson, Stephano Sanchinelli, Thomas C Brewer, Tim Walston
Technical sound designers: Sean LaValle, Cameron Sonju, Daniel Ramos, Enoch Choi, Gavin Booth, Roy Lancaster, Charles Dworetz, Bradley Gurwin, Mallorie Lesher, Dave St. Jean, Klaudia Schaffer, Aaron Cendan, Ashton Faydenko, Jessie Chang, Skylar Chen
Audio programmer: Stepan Boev
Sound editors: Blake Collins, Jeff Gross, Alex Robson, Rob Krekel, Cesar Marenco, Eric Paulsen, Sam Gray, Rostislav Trifonov, Keith Bilderbeck and Paul Fonarev
Foley Artists: Joanna Fang, Dawn Fintor, Alicia Stevenson, Matt Davies
OUTSTANDING ACHIEVEMENT IN SOUND EDITING – STUDENT FILM (VERNA FIELDS AWARD)
brutal
National Film and Television School
Supervising Sound Editor: Dan Hibbert
FILMMAKER AWARD
Jerry Brueckheimer
AWARD FOR CAREER ACHIEVEMENTS
Gwendolyn Yates Whittle
Source: Deadline
Ashley Root is an author and celebrity journalist who writes for The Fashion Vibes. With a keen eye for all things celebrity, Ashley is always up-to-date on the latest gossip and trends in the world of entertainment.
