With Pedro Pascal, he decides the dilemma of the car as a new “Fantastic Four: First Steps” and gives tribute to cosmonotics

Yeni Marvellovskaya “Fantastic Four: First Steps” started at the box office on July 23 and raised the cash table of approximately $ 118 million for the first weekend, and initially showed almost the same result as the DC ($ 225 million). Considering the estimates of $ 100-125 million, things are going well. Yes, and the IMDB degree 7.5 stars and Rotten Tomatoes unit users set the film to 86%, which is quite good.

According to Mood and Retro-Futuristic environment, the fantastic Four remembers the second season only after the core, which will only be released this December this December. It was this atmosphere in the best traditions of the 60s that connect critics (Lee and Jack Kirby’s comic book was created). Similarly, the Russian spectators were not indifferent to the visual, although they did not experience the same nostalgia as the Americans for reasons explained.

There are very understandable triggers. At least let us consider the beginning of history – as a result of an accident at a genetic level, four astronauts became national heroes. Here, it is necessary to say that the USSR has become a period of space victories for the 1960s, and that the US ended in failures: you may even find an impressive list of urgent launch of devices and missiles on the web, some of them ended with tragedies. The most famous is linked to the fire next to the “apolona-1”, which resulted in the death of three astronauts in 1967. In 1986, Challenger’s shuttle exploded, where seven crew members died. The same amount of Astronaut died in 2003 in Columbia. For this reason, perhaps unconsciously, director Mett Shekman and producer Kevin Faygi reflected these events that he allowed the heroes of the national mourning to “resurrect” and give them a new life.

So we got gutta-p. Rida Richards (Pedro Pascal), Invisible Woman Sue Storm (Vanessa Kirby), Grounded Dev-Wisan Ben Grimma (Ebon Moss-Bakrak) and human-Faculty Johnny Storm (Joseph Quinn).

If we compare the “fantastic quadruple ıyla with 2005 and 2015 versions, you can see that the main characters are really a family for each other – their relationships are compatible and no one attracts the blanket to them. Now it seems so rare that it causes an unintentional wave of sympathy. Indeed, you believe that this is the quartet of astronaut scientists who are more people than mutant-siperrs. And heroes are generally adults and contain people and not young people with injuries seeking themselves. In addition, there is no Hodgepodge team where multi -dimensional sin is sinned: Every hero is given enough screen time, so you don’t have to draw attention to everyone in a row.

The only thing shame is the plan of the plan about the salvation of the world: the heroes are so good with each other that they are not believed to give about humanity. It is as if they lack internal motivation and people are not sloppy, because they are only good people and do not want to harm anyone: and if it wasn’t. Plus, Reed and Sue will have a child, of course it is difficult, but we will only learn about the superpowers in the final.

In general, the story can be introduced in a different direction, because there are VIB “super junks”. It turned out that the main bad guy Galactus was not convincing. It is not clear why the planets suck-this is like a black hole (a scientific phenomenon as if it has received a completely terrible giant personalization) or has some kind of background. Since we do not know their talents, it is not clear why Galactus is withdrawn or stronger than four heroes in some moments. It is not clear why Palpatine moves with Anakin in Star Wars as an option when he can politely take him from future parents when he can take him from future parents.

In his “fantastic quartet, he looks partly to look like a militant, but a drama: there are very little chase and great battles except for the final. However, these wars should be protected and drowning and causing astonishment. In this sense, there are parallels with the latest “Thunderbers*.. Both films do not have a charismatic and convincing evil man, but the harmony of the team is emphasized.

Pedro Pascal still seems to be absorbed from his finger. Interestingly, the rest of the team, including the robot, also shows parental feelings for the baby. This is just the land movement that the audience tries to include cars in the ethical dilemma, not new, but more important: the life of a child or all humanity. For the Russian audience, this is no Dostoyevschina. Although it will add dramas and seriousness, we know that no one will kill the child and the world will be saved. Therefore, there is no intrigue. Again, the tendency of many films of recent years has become predictability, because by Zukers, everything may be disappointed, but I don’t want to lose the cash desk.

But a few really healthy relationships were shown on the screen: the heroes’ duet Pedro Pascal and Vanessa Kirby, as well as Ben’s touch care and Johnny’s real interest in Julia Garner, a silver surfing. In the current version, Showranners made him an organic woman. And perhaps, it causes more emotions than Galactus. Garner does not play again with drama based on mystery. It also turned out to be hostage to the dilemma of the car.

It is interesting that the authors of the film indirectly condemn a silver surf selection to save a beloved person at the cost of living at the cost of living. Considering that Russia is a country of collectivism in the past of the USSR) and that the US is individuality, it is very atypical for a superhero film. In most of our films, society is more important than a human being: the hero sacrifices himself or saves the expensive, but the country (at least take Stalin, who does not save his own son, who is caught by the Germans). American cinema is characterized by a tendency that a personality is more important than the system: so many Anderdog heroes, white raven, misunderstood excluded and so on. But since no one actually wanted to be involved in the dilemma of the car and to wear the bowl of the scales of anyone’s life, the creators of Fant Fantastic Four en simplified everything and saved everyone. There is something to think about one way or another.