“Joanna Hogg’s dungeon island“This is not a line many critics would expect him to walk through in his lifetime, but with his sixth feature film, the British director has made a fascinating introduction to genre filmmaking that fits closely with the rest of his semi-autobiographical work. A striking departure from the distinctive mid-range realism. memory.
Participation in the Venice competition eternal daughter It largely stays in the same social setting and reunites Hogg and Tilda Swinton in a dual role, but there’s also a sense of unease here, whether it’s a horror story about a woman’s search for herself or what happened. Book these days in the UK.
Photos from Venice Film Festival 2022
Swinton plays filmmaker Julie, who brings her mother Rosalind (also Swinton) to the family home, now a hotel, for her birthday. Julie has two goals in mind, one is to spend some time with her widowed mother before it’s too late, but she’s also working on a movie about her mother’s life, and she soon discovers it’s a painful secret to find. Different memory However, films covering a similar field eternal daughter This is a ghost story cloaked in fog and very effectively evoking the ghost of MR JAMES and his chilling existences.
To Hogg’s credit, this understanding has been preserved and not abandoned. Arriving at the hotel, the mother and daughter overhear a taxi driver’s story about a creepy face that once appeared in the window, and Julie’s first night is disturbed by strange sounds that only she can hear.
Julie’s mother’s dog, Louie, probably one of the actress’ star packs, has featured heavily. I remember part 2 – He starts acting strangely, cries at night, and runs away when his hotel room door is mysteriously opened. But after all, Julie is an oddly passive character; As in Hogg’s 2007 debut film Unrelated, she’s an observer of life, fascinated by a tough hotel receptionist who spies on her free time on Instagram and gets into a fight with her boyfriend when he comes to pick her up at night. Exploding car.
Venice Film Festival: Unforgettable Moments 1945-1984 Gallery
At first, the gothic decorations suggest they may exist simply as a way of entering the story, while Julie finds her place in an old building filmed in the extravagant style of the iconic British television show of the 1980s series. Hammer Horror House, complete with unforgettable flute music. However, there is no bait and crossover: the truth of the various supernatural elements may be open to interpretation, but the story sticks to the conflict between the living and the dead. There’s also a deceptively rich level of metatextuality in the way she does it: are we seeing the process Julie goes through as she tries to make the movie she wants to make? Or as in the main character. I remember part 2, have you already done it? If he wants to go further, a more cerebral point might be: Who really is the ghost here?
Boxy Chinese narratives are often forced and frustrating, not pretentious, open to audiences, and let’s face it, mostly middle-aged. eternal daughter It strikes a very strange but important chord as a movie about a time when the things we take for granted in our lives are suddenly taken away from us. In that sense, it’s fitting that it’s a film about absence as well as being, and the stylized end credits are more reminiscent of the opening of Alfred Hitchcock’s 1940 classic. Rebecca (You can draw a conclusion from this).
Interestingly, executive producer Martin Scorsese’s name also appears here, and in terms of overlap, it’s not hard to see the appeal of Hogg’s movie. dungeon island As an unreliable narrator, it’s a story of love, guilt and denial.
Source: Deadline
Crystal Leahy is an author and health journalist who writes for The Fashion Vibes. With a background in health and wellness, Crystal has a passion for helping people live their best lives through healthy habits and lifestyles.
