After receiving the Un Certain Regard Fipresci Award for Transfeminine Ballet Dancer in 2018 girl, Film director Lucas Dont returned home to look at the blank page for his next project.
Finally this will be the competition movie of the year, Close, Kim is battling a teenage suicide and there is just too much noise on the ground that a golden palm branch can get. A24 announces government recruitment Close Last night, the painting was premiered here on the Croisette.
“I didn’t know what to do, I had all the suggestions,” said the Belgian director. CloseCannes Film Festival conference this morning. “I had a lot of doubts, my doubts pissed me off.”
“I knew myself a lot better and knew a lot of people were watching me,” Dont said. “I wanted to do something with the same intensity and passion. girl.”
He did not go back to the primary school where his mother lived. “I wanted to remind myself that this kid is the kid I am,” she said.
“I’m sure you know exactly what you want to do,” she said to me, confidently and confidently, “and that was the beginning.”
Close With Lucas Dont, two 13-year-old boys, Leo and Remy, become friends, the second commits suicide. Leo is convinced he is guilty. While trying to figure out what happened, Remy’s mother approaches Sophie.
He didn’t explain how important it was to find his children, Eden Dambrin and Gustave de Wael, who played Leo and Remy. That’s because I don’t spend a lot of time with them on the cast.
As for coaching kids who haven’t played before, Dont said, “That’s not what you owe him, he has to be there.”
“It’s important for me not to have too much dialogue with young people,” said the director. “It’s important that they talk like themselves.” The script is just a map.
The two actresses who played the boy’s mothers, Sophie (Emily Decken) and Natalie (Leah Drucker), agreed that Donté’s style of managing children was similar to that of adults because there was no rigid script to follow. place for organic. emotions understand.
“You learn a lot from young players,” Drucker said. Clean, no equipment. It distorts the way we think about things. To achieve absolute truth in Lucas and his movie, we need to let go of the crew.”
“The action with Eden and Gustav is ruining everything we do,” Drucker said.
Deacon said: “Lucas is always looking for something personal. Sometimes technology allows you to control the situation. How Lucas works… we avoid those things, we don’t control them like in other movies. There’s a lot of room for spontaneity. ”
Deadline reviewed by film critic Todd McCarthy Close, “One of the strongest films to premiere in this year’s competition, Close It has great reward potential across the board. It is unfortunate to say that they will need them; The fur laurel is of little use, because only the golden palm branch really matters for such a candid film. This Close A little movie that can do? As for the positive side, it can be.
Source: Deadline
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