The editors note: Deadline presents its 21st episode Video series in which Pete Hammond and Todd McCarthy relate to cinematic fiction. Each of them has spent decades reviewing and writing this craft and drew on an excellent knowledge of past and present films. What we expected when we asked them to do this was a laconic, sexy and thoughtful conversation comparable to that of Roger Ebert and Gene Siskel.
On Tuesday in Cannes, Deadline Awards columnist and film critic Pete Hammond and film critic Todd McCarthy joined a beach pavilion to take stock of what the first full week of the 75th Film Festival meant to them. from Cannes. Post-pandemic in a festival we knew and loved, but also, of course, screened films.
Both give their opinion on what they saw from the top star (Top Gun: Maverick) Among the best films in English, the best that our guests, the French, offer to potential candidates for the Palme d’Or. It costs Peel everything in 2022 so far.
What we say is the best and what we say is the best Worse (And believe us, we do tell)?
Click on the video above to watch our conversation.
Hammond has been a columnist for Deadline’s Awards for the past decade, covering what are now, at first glance, Oscar and Emmy seasons throughout the year. He is also Deadline’s best film critic, having previously reviewed films for MovieLine, ᲡAlarós Magazine, Კ behindHollywood.com and maximumas well as leonard maltin movie guide, Of which he was editorial assistant. In addition to writing, Hammond also hosts the KCET Cinema Series and the Station Weekly Series. Definitely watching movies.
McCarthy is a veteran film critic, critic and journalist for industry publications who has also written several popular books and documentaries. He has worked twice at the headquarters variety Y the hollywood reporter And international film festivals widely covered by both publications. your movie Visions of light: the art of cinematography He won Best Documentary Awards from the National Society of Film Critics and the New York Film Critics Associations and received an Emmy Award for his documentary writing. Preston Sturges: The Rise and Fall of the American Dreamer. He was also a documentary director. The man of the cinema: Pierre Risient Y forever hollywood.
Source: Deadline

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