‘Tale Of King Crab’ Launches Solid Italian Author List With Help From Cinecitta, Ira Deutchman – Specialty Box Office

A King Crab Story A cinematic jaw-dropping fairytale shot in rural Italy and Argentina, which opened this weekend with a three-day gross of $ 5,120 at Lincoln Center, the first of a series of Italian offerings to be on a special stage during the summer.

“In today’s complex arthouse market, we consider this first achievement a success and believe the film will continue to find loyal audiences as soon as it comes out nationwide,” said Andrew Carlin, director of distribution at Oscilloscope Laboratories. Alessio Rigo de Rigi and Matteo Zopis. Located in a remote 19th-century Italian town and in the remote Argentine province of Tierra del Fuego, it extends April 29 to LA Landmark Nuart and the 50 Best May Markets.

“We saw it last year on the biggest and best screen in Cannes and we thought it was equally compelling and engaging. The first part, a tragic love story in a splendid bucolic setting in the Italian countryside, then Tierra del Fuego. [where] “A false priest surrounded by pirates is leading the crab to the treasure,” Carlin said. “We know this is a challenging film, of course, in today’s market. But it is a real arthouse film.

Luciano (Gabriele Silly) is an exiled wanderer in a small Italian town ravaged by alcohol, forbidden love and a bitter conflict with the region’s prince for access to the ancient gates. As the struggle intensified, Luciano went into exile in a remote Argentine province in search of a mythical treasure.

The film is supported by Cinema Made In Italy, an initiative promoted by Cinecittà and led by Ira Deutschman, long-time independent film producer, distributor and marketer, founder of Fine Line Features and professor of cinematography at Columbia University. . The group has promoted P&A funding for Italian films in US theaters and has raised dozens of them over the past eight years. Deichman said. The idea is to “let American art lovers know that Italian cinema is alive and well and doing well in theaters”.

Cinema Made In Italy usually sponsors between five and eight films per year. Full-page ad in the New York Times this week highlights the class of 2022, which it includes king crabWith the title “The cinemas are open and Italian cinema is back!”

The others are: Cinema Lorber’s dystopian sci-fi thriller Mondokan Alessandro Celli opens on May 20; Neon otherwise Opening on 27 May – Jonas Carpiniano’s family drama won the Grand Prix in the fortnightly section of Cannes directors; Lorber documentary cinema; Bloom Up: a story of a swinger couple by Mauro Russo Rossi; and Marco Bellocchio Marx can be patient Since Strand’s release. The film, in which the director tries to restore the disappearance of his twin brother, Camilo, in 1968, premiered in Cannes, where Bellocchio was awarded an honorary Palme d’Or. Estimated summer release dates for the latter two have yet to be announced.

After Cannes and Venice, there may be many more titles coming out later this year. Cinema Made In Italy enters from time to time in the distribution and market of a film that does not have an American distributor. “The guard has changed a bit, he’s so young. [Italian] “Directors are starting to gain a reputation and several Italian masters continue to make films,” said Deutschman.

In another part of the specialty: The Internet-inspired film of Utopia and Jane Schonbrunn We will all go to the Universal Exposition. Trendy IRL (in real life) opens this weekend in New York and Chicago at BAM, Quad and Music Box. It was # 1 on BAM and Quad and also # 1 on the new Music Box release) $ 13,665 in total and $ 4,555 in half screen. Kyle Greenberg, Utopia’s vice president of distribution and marketing, said the opening was supported by exhausted questions and “a young and diverse movie audience.” The film will expand across the country next weekend. In it, teenage protagonist Casey (Anna Kobe) is fascinated by an online horror phenomenon called the World Fair Challenge, in which players describe the physical and psychological changes they experience. As she falls down a rabbit hole of online and role-playing obsessions, she develops a distant and creepy friendship with a grown man who is also up to the challenge.

Premiere of Riley Stearns from RLJE Films Double She earned about $ 125,000 for 157 screens per screen for an average of $ 796. After receiving a terminal diagnosis, Sarah (Karen Gillan) chooses a cloning procedure to relieve her friends and family. When she experiences a sudden and miraculous recovery, his attempts to leave her clone fail, leading him to duel to a court-ordered death. You have a year to prepare your body and mind for the battle of life. With Gillan, Beula Coal with Theo James and Aaron Paul. Review of terms.

Paris, 13^myself Neighborhood According to IFC Films, estimated weekend admissions from 68 theaters are $ 28,000 for a PTA of $ 418. Also available on demand / digital. By the late French director Jacques Audière is a black and white drama shot during a pandemic in the capital. Its premiere took place in Cannes. He is followed by Emily, Camille, Nora and Amber, four young women who are friends and sometimes lovers. With Lucy Zhang, Makita Samba, Jenny Beth and Naomi Merlan. Based on New York cartoonist Adrian Tomin kill and die, A collection of graphic stories. Review of terms.

Even in less than 1000 screens: 9 inches^myself Place at the box office, the premiere of the Indian film Sarigama Cinemas KGF: Chapter 2 The 769 locations recorded a weekend debut of $ 2.875 million for an indoor kum up to $ 4.602 million for the week.

Hamsin released an Indian film The beast Debut at the weekend in 368 locations $ 430,000.