“Jaws” Takes A Bite From “Honk For Jesus”, “Gigi & Nate” – Specialty Box Office

“Jaws” Takes A Bite From “Honk For Jesus”, “Gigi & Nate” – Specialty Box Office

On Labor Day weekend, blockbusters old and new were filled with cheap tickets and limited openings. Salum With multiple shows sold out in two theaters, including the show every Saturday.

More than 3,000 theaters, including the IFC Center and Los Angeles’ Alamo Drafthouse, where the Franco-Senegalese indie film began its qualifying run, are offering $ 3 National Film Day tickets. The promotional event expects an anticipated box office proceeds of $ 24.3 million for Saturday, according to Comscore. It is 9% more than last Saturday, even with the discount, but it has strongly favored the relaunch. Spider-Man: There is no way to go home of the last year jawsSince 1975 and curtains that have been in theaters for weeks and months under the direction Top Gun: Maverick. Saturday saw a 100% increase at the box office compared to Friday, but the top ten was heavily skewed.

It did not include focus functions. A voice for Jesus. Save your soulpreviewed on 1,880 screens and simultaneously on the Peacock streamer, or gigi and nat From roadside attractions to 1184 displays. call Jesus Estimates are $ 1.44 million for three days and $ 1.75 million for four. gigi and nat He expects $ 1.06 million for the three-day weekend.

horn It hit $ 430,000 on Friday, rising to $ 610,000 on Saturday. Estimates are $ 400,000 today and $ 310,000 Monday for a film that has a 74% rating on Rotten Tomatoes by critics, but a C-CinemaScore and 45% in the top two boxes with a humble 28% recommendation.

The audience was made up of 62% women and 61% over 35, 47% over 45. The mix was 34% white, 10% Latin, 50% black and 6% Asian / other. He played best in the East, South and Midwest. The film, starring Regina Hall and Sterling K. The Browns, stars a mega-church power couple tormented by the scandal of writer-director Adam Ebo and executive producer Jordan Peele.

gigi and natInstead, a low RT rating from critics is 24% and the PostTrak audience disagrees, giving it 81% in the first two boxes with a 60% recommendation. Those present in this story about ninety juveniles and their support monkey were 65% female and 38% between 18 and 34 years and 57% over 35 and 37% over 45. The mix was 64% white, 14% Latino, 11% black, and 11% Asian / other. He played best in the West, Midwest and South. He was a hefty 88% of the total from Friday to Saturday.

“Overall, going to the movies was light, but the strong response on National Movie Day is driving us towards our goal of word of mouth,” said Howard Cohen, co-chair of Roadside Attractions.

Meanwhile, jawsreleased for the first time Imax, is the estimated income $ 1.2 million in four days from 285 national giant screens. Its total expected four-day run is $ 2.73 million from 1,246 theaters. The image is in the number. 10 at the national box office.

special opening: Thrill and midnight IFC Salum Jean-Luc Herboulot grossed about $ 2,050 at the theater for an average of $ 1,025 for the three-day weekend and $ 2,600 for the four days ($ 1,300 PTA). The film, which premiered at TIFF last year, was released on Shudder Thursday and will expand nationwide on Friday.

Documentary loving blacksmith, with Zeitgeist Films’ Kino Lorber, costs $ 6,800 for three days and $ 8,800 for four on one screen. This is at the New York Film Forum, which did not attend National Film Day. It will expand to 14 screens next week.

special warehouses: RIP Bleecker Street will gross $ 648,491 (three days) and $ 766,731 (four days) on its second 909-screen weekend for an expected total of $ 2.16 million after the four-day weekend. The film, starring John Boyega as a former Marine Corps veteran, earned double Par. He sat down. (Friday: $ 143,062; Saturday: $ 308,362; Sunday: $ 197,067; Monday: $ 118,240).

Good boss Cohen Media Group, with Javier Bardem, posted three-day gross sales of $ 115,046 in a whopping 143-screen expansion in its second week of 13 for $ 149,230. Miami’s art houses were great and he was doing well in New York.

Anthony D’Alessandro contributed to this reportage

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Source: Deadline

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