“Five Nights At Freddy’s” Review: The Film of the Popular Video Game Emphasizes Character Over Horror in the PG13 Version

“Five Nights At Freddy’s” Review: The Film of the Popular Video Game Emphasizes Character Over Horror in the PG13 Version

In the new film adaptation of the popular video game Five Nights at Freddy’s, The focus is on the Jim Henson Creature Shop and its talented puppeteers and character actors Real The stars of this Blumhouse take over the game, which particularly resonated with men under 25 in the arcade. Only time will tell if they’ll be happy with this carefully constructed but safe PG13 film, which sacrifices hardcore horror for character development that sometimes drags.

If you’re not familiar with the gamer franchise founded by Scott Cawthorn in 2014: Five Nights at Freddy’s is a small phenomenon in the industry with 9 different games so far, several spin-offs, a new trilogy and an anthology series, all for the love of Freddy Fazbear, Bonnie, Chica and Foxy The Pirate, 2 meter tall animatronic creatures who is able to live life. to kill violently or feel loving feelings depending on who is in the room with them. The PG13 rating prevents it from being lively Chucky Territory, still the crown jewel of this killer pop subgenre, or even M3GAN, the pop that previously went gold for Universal, who also releases it. Young fans will find that Cawthorn, who co-wrote the screenplay with Seth Cuddeback and director Emma Tammi, is more interested in the psychological horrors of protagonist Mike than any visceral horror. Saw Territory, although the opening pre-credits sequence gives a clue as it takes place in Freddy Fazbear’s abandoned pizzeria, hinting at but not showing the gruesome death of a security guard.

The story actually centers around Mike (Josh Hutcherson), a down-on-his-luck man who looks after his much younger sister Abby (a very endearing Piper Rusio) but has never managed to feel responsible for his sister’s still unexplained kidnapping. younger brother Garrett (Lucas Grant in flashbacks) ten years earlier. It haunts his dreams and even costs him a job. Desperate to stop evil Aunt Jane (a single Mary Stuart Masterson) from wresting custody of Abby from him, he reluctantly agrees to a night security job at the long-abandoned, wild Freddy Fazbear Pizzeria. Keep offenders away from the derelict establishment where, we learn, some very bad things happened to young children, leading to its closure. Is it scary? Possible. Enter police officer Vanessa Shelly (Elizabeth Lail), who tells Mike about the history of the bar but seems to know little at much, but show him the main attractions of an orchestra consisting of these lovely(?) 7-foot-tall creatures who play 80s tunes and whose reels seem to be still in good condition. When Aunt Jane agrees to a devious plan by Abby’s nanny Maxine (Kat Conner Sterling) and her evil boyfriend to destroy the store in order to fire Mike, the band of animatronic brothers show what they’re capable of. though director Emma Tammi slowly brings the blood to a boil (a beheading is only hinted at in dark shadows). However, Abby bonds with the creatures, complicating matters even further.

A lot of it is predictable and I figured out where it was going early on, but the execution is top notch, even if the story itself is far less fun than actually playing the game. Big thanks to puppeteer supervisor Robert Bennett and the actors behind Freddy (Kevin Foster), Chica (Jess Weiss) and Bonnie (Jade Kindar-Martin) for giving it the old college. It’s just that the real fears aren’t there, even though the atmosphere suggests they’re coming. Hutcherson does his best, but comes across as humorless and stern. Lail has his moments, and horror veteran Matthew Lillard even shows up early as the man who gives Mike the Freddy Fazbear act.

Producers are Jason Blum and Cawthorn.

Title: Five Nights at Freddy’s

Distributor: Universal images

Release date: October 27, 2023 In theaters and on Peacock

Director: Emma Tammy

Scenario: Scott Cawthorn, Seth Cuddeback and Emma Tammi

Form: Josh Hutcherson, Elizabeth Lail, Piper Rubio, Mary Stuart Masterson, Matthew Lillard. Lucas Grant, Kat Conner Sterling

Assessment: PG13

Time: 1 hour and 50 minutes

Source: Deadline

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