Oscars 2023: pros and cons of the five candidates for best soundtrack

Oscars 2023: pros and cons of the five candidates for best soundtrack

The delicacy of a piano that accompanies the embrace between a mother and her child. The tension of a battlefield filled with mud, blood, gore and tears. The moving fascination of the delirium of a multiverse. The combination of beauty and mystery that graces the breeze of a small Irish town. The debauchery and poetry of a Hollywood on fire. Five gorgeous scores that are already battling for the Oscar for best score.

Oscars 2023: pros and cons of the five candidates for best soundtrack

Oscars 2023: Analysis of the best soundtrack

1 Volker Bertelmann – “All Quiet on the Front”
Volker Bertelmann -

From its opening theme, the brutal ‘Remains’, the soundtrack to the remarkable ‘All Quiet Front’ it blends perfectly with the multiple sensations that the characters experience during the story. For this, Volker Bertelmann is engaged in a music in permanent search of atmosphere, traversing epic paths in which distortion and percussion play a fundamental role. However, if anything stands out about this fabulous work, it is the composer’s ability to move people in a rather classical way. without ever losing a huge artistic and sound personality. A clear candidate to achieve the coveted statuette.

No news on the eCartelera front

2 John Williams – ‘The Fabelmans’
John Williams - 'The Fabelmans'

Those looking to ‘The Fabelmans’ for the most explosive John Williams, complete with signature fanfares, will end up feeling something akin to disappointment. However, those who relate to this extremely delicate work of the best film score composer in the history of cinema, not too much discussion about it are accepted, will revel (and cry) non-stop with a series of songs that are pure emotion and delicacy. A true monument to the sensitivity that we receive as yet another gift from an incomparable genius. How much beauty there is in the music of ‘Los Fabelman’.

The Fabelmans at eCartelera

3 Son Lux – ‘Everything at once everywhere’
Son Lux - 'Everything at once everywhere'

As for the masterpiece it represents, Son Lux’s soundtrack for “All at once everywhere” is glamor and excellence, hypnosis and madness, beauty and emotion, imagination and genius. You never know the path that each of the songs that make up a magnificent work will take from start to finish, which is an experience full of stimulation and surprises for the listener. Unless the night is a true Daniels film triumphal walk, which we can’t rule out, it seems this memorable score will almost certainly go without a statuette, but what a joy to see it among the nominees.

All at once anywhere on eCartelera

4 Justin Hurwitz – “Babylon”
Justin Hurwitz -

If you have seen ‘Babylon’, a masterpiece treated unfairly since its premiere by critics, which has been repeated with an Academy that incomprehensibly excluded it from the ten nominations for best picture, it is very likely that you have not stopped listening to it. impressive soundtrack by a Justin Hurwitz that continues to accumulate honors.

Debauchery, ecstasy, melancholy, outburst, passion and great melodies that grab you from the first songs that make up a full-blown party and that don’t let go until a truly memorable closing with a ‘Finale’ that leaves you speechless and yearning go beyond. It should have no competition to win, even if seen what has been seen, all the same and also leave one of the great films of recent years unrewarded in this field.

Babylon in eCartelera

5 Carter Burwell – “The Banshees of Inisherin”
Carter Burwell

Ubiquitous throughout ‘The Banshees of Inisherin’, the beautiful music composed by the great Carter Burwell is one of the highlights of the gripping film written and directed by Martin McDonagh. Combining elements of traditional Irish music with notes of authentic mysterythis wonderful soundtrack constantly moves between sigh and tension, beauty and darkness, delicacy and punch. Another formidable work by one of the great composers of his generation.

Souls in pain by Inisherin on eCartelera

To organize ourselves, in case someone is disoriented, we refer, respectively, to the works of John Williams for ‘The Fabelmans’, Volker Bertelmann for ‘All Quiet Front’, Son Lux for ‘Everything at the same time everywhere’, Carter Burwell for “The Banshees of Inisherin” and Justin Hurwitz for “Babylon”. A group of truly top-notch candidates who, each in their own way, demonstrate an unfailing power to captivate beyond the images they accompany.

Exceptional level for a category that welcomes on this occasion both more than expert composers and young promises already transformed into an exciting reality, thus guaranteeing a present and a future full of good news in the world of soundtracks. Who will win? While we try to guess a little in advance, let’s enjoy (re)listening to these five formidable works.

Source: E Cartelera

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