Eddie Izzard was dressed to the nines as she was pictured leaving her award-winning one-person adaptation of Great Expectations at the Greenwich House Theatre.
The transgender comedian, who has said she prefers female pronouns, appeared in high spirits as she left the New York venue on Sunday night.
Eddie is gender biased and describes himself as “a bit boyish and a bit girly”. She uses the word “transgender” as an umbrella term.
Special moment: Eddie Izzard left New York’s Greenwich House Theater in a black mini on Sunday after appearing in her award-winning one-person rendition of Great Expectations
Eddie smiled as she walked out wearing a black mini under her coat, tights and knee high boots.
She wore bright red lipstick and her blonde locks were styled in short spikes.
Eddie’s one-man performance of Great Expectations drew praise after Thursday’s premiere.
The show was recently renewed due to positive reviews.
She takes on all the roles in her adaptation of the Charles Dickens classic, which runs until February at New York’s Greenwich House Theatre.
Out and about: Eddie smiled as she stepped out in knee-high boots – the show was recently renewed due to positive reviews
Critics dubbed the performance “penetrating” and praised the star for her “intelligence” on stage, where she performed in a frilly blouse and knee-high boots.
Thom Geier of The Wrap said of the show: “Purists may object to this Cliffs Noted treatment of a beloved Dickens tale, but the streamlined script serves its star, who is adept at giving each of the characters a distinctive presence to give without relying on -the top accent or other broad shot.
“For the most part, Izzard plays things straight, although she does draw on her comic instincts with unexpected line readings and pantomime moments.”
Naveen Kumar of The New York Times also gave a favorable review, noting: “Emotionless sobriety and abbreviated first-person narration are hallmarks of Izzard’s comedic style, usually applied to sharply observed and often blunt personal anecdotes in specials.” such as Wonderful, that year, and Dress to Kill, recorded in 1998.
Critically acclaimed: The gender-fluid trans woman takes on all the roles in her adaptation of the Charles Dickens classic, which runs until February
But taking the stage alone to dramatize a decades-long coming-of-age story is a steep hill to climb. (Izzard, who ran 32 marathons in 31 days last year, has a penchant for endurance.)
“In that respect, Izzard’s performance here is impressive, though not without hints of the strain of the effort.”
The New York Stage Review awarded the show five stars, with Sandy MacDonald writing, “Izzard changes shape on the fly.” The trick, if you can call it that, is that she never gives up her own essence, even as she plays each role, changing with slight shifts in accent and influence.
“The colorful characters pop up vividly and lightning fast – sometimes in accelerated mano a mano.
Critics dubbed the performance “penetrating” and praised the star for her “intelligence” on stage, where she performed in a frilly blouse and knee-high boots.
However, the real thread is Izzard’s own unwavering intelligence. She has this story at hand and we are lucky to be traveling with her.’
Reviewing her new show, Eddie told the New York Times, “Drama is something I wanted to do from the beginning, and I just fought hard for it.”
She added that being gender-specific helped with the roles, explaining: “I love that I’m playing male and female characters in this. And I hope Dickens will think that was okay.”
Discussing her flamboyant stage attire, Eddie revealed: “If you’re trans, it’s probably better to be pretty well dressed… if you look surprisingly feminine.” Female. I mean, Marilyn Monroe once wore a potato sack for a photo shoot.”
Eddie rose to fame as a cross-dressing comedian, but now identifies as a transgender woman.
She announced two years ago that she would prioritize female pronouns and “switch to girl mode from now on.”
One to watch: The gender-fluid trans woman takes on all the roles in her adaptation of the Charles Dickens classic, which runs through February at New York’s Greenwich House Theater (pictured with director Selina Cadell).
Source: Daily Mail
Ashley Root is an author and celebrity journalist who writes for The Fashion Vibes. With a keen eye for all things celebrity, Ashley is always up-to-date on the latest gossip and trends in the world of entertainment.
