This week’s edition of the Deadline podcast series televised speech, TV critic Dominic Patten and award critic Pete Hammond answer the TV Emmy dilemma.
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While the television academy relies heavily on the compensation of the four broadcast networks (ABC, NBC, CBS, Fox) that share the annual Primetime Emmy television show on a spinning wheel, each benefits from it. at least Emmy focuses on major markets for drama, comedy, limited series and other categories.
Nowadays, the major categories almost exclusively serve pay-per-view cable networks like HBO or streamers like Netflix, Apple, Hulu, Amazon, and others that have just entered and successfully taken over the most valuable premium rights. television programs since First the wheel was created, which has the right to air the Emmy Awards, which has been dominated by the nominees and winners of these television networks. My how time has changed.
For example, in drama series, only NBC We are He has been able to crack the code for the past few years. Comedy isn’t much better and you can forget about limited series and TV movies, both of which were once dominated by networks.
the NBC limited series starring double Academy Award winner Rene Zellweger; pam stuff In fact, there are a limited number of rare networks trying to come into play this season, almost an aberration. abc has women of the movement, But these are long shots in an area where streaming and HBO now dominate. Of course there are categories in which chains continue to compete (SNLDid you hear?) But this isn’t what it once was.
We will look at the prospects of the network and the Emmy Awards to see if that will ever change and what voters think now.
As we delve deeper into the Emmy front, remember to subscribe to Deadline’s TV Talk podcast here: apple podcastY Spotify.
Source: Deadline
