With Tina Stuilkovich and Ivan Yankovsky, “Moscow does not believe tears” series – the main activity of September

With Tina Stuilkovich and Ivan Yankovsky, “Moscow does not believe tears” series – the main activity of September

You are accustomed to the fact that the trend of recent years is to alleviate the Soviet classics, but this time Zhora Bektashi is lost for the project he divided the direction chair with Olga Dolmatovskaya (directing!). At the same time, “Moscow does not believe in tears. Everything is just starting,” the series was also published on September 4 with the support of IRI’nin Wink. The day before we are talking about seeing the innovations on the big screen on the big screen, and we confess, we accept that the stars in the dazzling clothes on the red carpet are not less interesting than Vladimir Menshov’s original picture.

The name implies that the land will remain, but the audience will be surprised. Perhaps the main innovation is the description of history on dates. Yes, this, as we know, is only a musical in the light of the first look. There were musical films in our country, but Western -type muscles themselves were not drawn in quantities like abroad, and therefore they do not have large fan base. And this can confuse the audience who will ask himself at first: “I will watch all of the five episodes, how do they dance and sing?”

Frame from the series “Moscow does not believe tears”

But do not rush to the results: the same thoughts were probably a lot when watching the Oscar -winning “La La Land” or choir sitcom. We pay attention to the fact that this is not the only musical of recent years with the audience: “Lily”, “King and Jester”, “Vasilka”, “Combination”. Do you know that the music is still popular? This shows the need for the audience’s audience. And gives a sense of hope.

The action takes place as zero – this is the period of the youth of this millennium. This is romance and friendship without social networks when people talk more and come to each other for income. And the last success of “Walk” and “Peter FM” films emphasize this nostalgia. In the series “Moscow does not believe tears”, there will be many details that will cause pleasant memories about the popularity of the star factory. But let’s talk about the plot.

“Moscow does not believe in tears. Everything is just starting” series poster
Frame from the series “Moscow does not believe tears”
Frame from the series “Moscow does not believe tears”
Frame from the series “Moscow does not believe tears”

The main character Ksyusha is a single mother running from her abuse husband to start a new life to Moscow. Unlike the Soviet film, this is not the history of the conquest of the capital and the struggle for survival, but about the “dream of Moscow”. And this is a different view of the city, just like possibilities in place. This mood created by dance numbers. Yes, the transition is full of difficulties: a young mother with a five -year -old son is not easy to stand up on their arms. However, help comes unexpectedly. And this is not a prince on a white Mercedes under the wheels where girls from the state are thrown in the hope of a successful marriage, and two fascinating savior medical schools are Olya and party player Masha’s student.

Perhaps one of the advantages of the series is the real female friendship that has no room for competition. And apparently, the main value of Olga Dolmatov and other women’s landscapes: Alina Zharova, Akcinya Borisova, Julia Gulyan and Evgenia Khripkova. The relationships between friends and the poster of the series look like “sex and city”. They are beautiful, young, funny – you really want to be friends with them. There is trust and respect among them. These are the same people who can open, share your dreams and are in a difficult situation with your problems.

Frame from the series “Moscow does not believe tears”

Three friends have their own idea of ​​happiness. Ksyusha wants to build a career, olya – life and masha – to successfully marry a stranger. Interestingly, no hero has condemnation in the narrative. As in the “Little Women ,, Emma Watson’s hero chooses the path of the stove, not because he does not believe in him and lived the pressure of patriarchy, not the thorny path of his career. There is also no moral condemnation.

They will be recognized in other chapters where friends can embody dreams and friends such as musketeers will meet 20 years later. The tone of the series shows that everything will be the same as they represented in their youth, but they will definitely find their happiness. Two endings for us were not stocked for us as in La La Land. Will Moscow be the city of dreams? In the song “This City, Best City in the World” song, although he lived in the panels, he was stolen as a cleaner and his latest savings were stolen by a pickpocket. When you look at it, you will be infected even with the belief in yourself and the best future.

“Moscow does not believe in tears. Everything is just starting” series poster
Frame from the series “Moscow does not believe tears”
Frame from the series “Moscow does not believe tears”
Frame from the series “Moscow does not believe tears”

Apparently, all romance is waiting for us in the middle of the story and finally. In the first series, everything played by Tina Soyilkovich, Anastasia Talyzina and Maria Kamova (also known as blogger Mash Milash) revolves around young Ksyusha, Olya and Masha. Their roles in adulthood will be embodied by Marina Alexandrova, Julia Topolnitskaya and Valery Astapova. In general, the commercial success of the series prophesy the existence of stars such as Ivan Yankovsky, Andrei Burkovsky, Ruzil Minecaev, Glory Cakeikin, Andrei Makopykov, Fedorchuk, Milos Bikovich, Anastasia Krasovskaya. Stellar Cameo will be: Fashion designer Sergey Zvev and Ivanushki international Andrei Grigoryev-Apollonov’s soloist.

All this is attractive, but it is too early to judge the place of the series in the cultural sphere. It is unlikely that Menshov, who took Oscars in 1981, determines the task of repeating the success of his painting in 1981. Yes, and the nostalgia game works in the opposite direction: 2014’s “Caucasian captive” box office failed at the box office, and “the irony of fate. The audience feels intuitively insincerity and successfully emerges if Zhora Kryzhovnikov and Olga Dolmatovskaya are re -performed. Both the film and the series are actually the rethinking of the Cinderella Tale. Therefore, the question is not how original the land is, but what he expects us in the final. As in “anora” and “la la land, will the hero’s dreams break or a classic happy ending will wait for us?

Source: People Talk

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