Why is Hollywood experiencing a difficult crisis and “What’s the film studio actually talks about?

Hollywood has always identified world trends, but in the last decade, analysts and cinema veterans have trumped the full crisis. According to ProdPro, in 2024, film production fell by 40% to 2022.

In May this year, US President Donald Trump said that “the American film industry is dying” and other countries “made professionals from the United States jazz”. The president of the country described this as a “national security threat ve and proposed to bring 100 percent tasks to the films that were brought abroad and later brought to the United States. In practice, it is not yet clear how everything would be, but the words about the crisis in Hollywood first came to such a high level.

And now, set Rogen’s “Film Studio” series, where each episode sheds light on different problems of film construction. There are stories about distinguished directors and production production and desire to create art and make money. Drama was accepted warmly by critics and audience, so the second season is not too far.

Did Hollywood really shake the strikes of screenwriters and actors in 2023 and the fire in California? Or is it about the flow platforms that kill the culture of film distribution? And finally, where is the good film that is really good to watch and does not go to doing it again for a sign of confirmation?

These questions, film critic and telegraph channel Max and TV shows author Max Chkoni’yi asked to answer. He explained why we stopped waiting for Oscar with four, why the directors made three hours of film, and most importantly – now what stories are not enough for the audience – Marvell explained that we explained independent films such as box office records or Anora.

Max Chkonia, Film Critic, “Max and TV shows” Telegram channel writer

“This Los Angeles-They extend everything here and they do not appreciate anything, La La La Land said in 2016, and one of the characters of the series“ Film Studio ”in 2025 says:“ I love cinema … But now my job is frightening. ”

And now failed with an expensive three -hour film, Damien Shazell was asleeping Seth Rogen, pandemiye, strikes and almost burned Los Angeles, but the current Hollywood problem is not situational difficulties. All of this, of course, hits the sector strongly, but Stars City is already used to cope with such difficulties. The “Film Studio” series stressed that they have been screaming for a long time – Hollywood kills himself and actually takes it longer than screaming.

“Film Studio” has become the main Modern satirical in Hollywood film production. It is easy to see the question that excites the audience, but with the desire to overcome the faces of production – without a good grin and the desire to overcome the faces?

Hollywood offers different things as if it were one: from the unconditional crisis to the crisis of ideas, from the thirst of the standards to fall.

Apparently, modern copyright films have become a subculture. There are franchise bombs: dying, but still Marvel Kinovsky gathered the halls. There is a remake and a spin-off army, but so great that if a person fell asleep in 2003 and now woke up, he would have decided that many of them had managed to pass (hello, divided fiction!) After seeing the posters of a cinema.

But non-French films have become a non-conformist, surprising and rare thing, but most importantly for Hollywood-Residence. Yes, we will have an anoria that will tear the rental (according to your budgets), but will lose more than you will win, “Babylon” (Return to Shazella). And although this is the film’s film, it was ensured that “Babylon ver is not an indie with an expensive and selling player and status director.

“You want to make great art and gain billions on this issue. So – that’s not.” If asked, it is not possible to define the main satirical idea of ​​the “Film Studio ında in an offer, but this is exactly that. All of the ten episodes show that Hollywood is people who want to make art, but they need to make money. And now fourteen years old (and sixteen to twenty) I will write what I hate.

The president of the enterprise is the one who can help the sector, but administrative initiatives are rarely workers, and most importantly, they are rarely potentially workers. The idea of ​​bringing a hundred percent task to all films except the United States seems populist and destructive. I would like to believe that everything will help, benefits, subsidies and support from dam measures. This spoke about John Voit, one of Trump Hollywood’s three “horsemen”. He, Sylvester Stallone and Mel Gibson, should help the president solve the situation in filmmaking.

But does the industry need this solution? Hollywood is as if something is worried from the beginning of its existence, and you and you will survive. And he will do this exactly with the help of heroes like Matt Remik from the film studio. Mistakers, but passionate.

Cinema – Global Art. The movie can be Hollywood, but to leave Hollywood in the script and return there for the premiere show. It continues to be one of the main export products of the United States, which moves not only to foreign halls but also to streams. Apple TV+Scorsese, Fincher for Netflix, according to the needs to everyone, flow director. The moment of timing should not be counted to calculate how many sessions will be for a cinema.

On the platforms, the number, metrics and statistics that are not hit less painful in the directing ego. The United States brings tasks about cinema from abroad and responds to more strict quotes to the show of China and American films.

The authors want to make films longer, but the audience is easier to watch for six half hours than the three -hour band. In the early hours of the evening, if many of them are watching two films, and now they don’t always study one in two evenings. How many days did you watch the “Killer of the Flower Bear”? How many days did you watch the “Games in Kalmara” season? The main thing is to withdraw with a long frame. “Film Studio” did not forget to imply that it was fashion.

The transportation of cinema to both other countries and flow goes for many reasons. Benefit: It is mixed with a creative search for preferential taxation and cheap places, ideas and new people. Cinema is global art, nothing has changed for these two paragraphs. And this move works on various aircraft – Korean films receive the main awards for Oscars, the “best foreign film” nomination looks more competitive and stronger than the main one. And the Oscar itself is slowly no longer a golden peak. I say that the geography has changed, now how many minutes how many minutes of applauding Landimos in Cannes is more important than “bad”.

The war between those who broke the box office records and the opposite of the author -is always continuing. This is an illusion that modern Hollywood drowned because of franchise madness. During the Golden Hollywood, hundreds of empty romantic comedies were published every year annually, which would say that their scenarios were written by neural networks. And we remembered Kazablanka! Previously, there was also a desire to win the well -known names of other works – have they heard the film “Kaboblanko” with Charles Bonson? And so. The film adaptation of “Malta Falcon” was released not only in 1941, but also ten years ago. The British “gas light” was re -transferred in Hollywood four years after the original.

The habit of walking on the beaten road has always been.

The film studio showed that the problems of the modern film industry are not only beyond the limits, but the first step of adoption. But now, fifty years ago, hundreds of Hollywood will be balanced between creating art and making money. And now if he passes through a epidemic, strike and fire, he tries to save “art” in the world of “mania, the new war begins – the neural networks will be difficult. Where will the second season of the film studio go around?

Hollywood has the same fate as Matt Remik: to make a good film and what will happen.