In his film NOPE, Jordan Peele denounces “the toxicity of our addiction to the show”

In his film NOPE, Jordan Peele denounces “the toxicity of our addiction to the show”

As the theatrical release date of Nope approaches (August 10, 2022 in France), director Jordan Peele has revealed the main exciting themes of his next film: science fiction, UFOs and of course racism.

Waiting for the release of No to the cinema August 10, hypotheses continue to merge around Jordan Peele’s new film. After unveiling a trailer full of unexpected surprises, spoke the master of social horror.

An immersive experience

Of go out to WeJordan Peele’s films always are master class such. They shine with their ability to piss us off everything inside unfolding exciting interpretative traces. If we know Boo will address the science fiction and UFO mysterieswe are already wondering what social and philosophical themes will cross it.

In his film NOPE, Jordan Peele denounces “the toxicity of our addiction to the show”
© Universal Pictures

In an interview with the American magazine EmpireJordan Peele mentioned some preview songs. “I started with the desire to make a film that immersed the audience in the immersive experience of the presence of a UFO “. But he explained that from this starting point, the on the film had expanded :

I wanted to create a show, something that showcases my favorite art form, but also my favorite way of consuming that art form: the cinematic experience. As I started writing the script, I began to delve into the very nature of the show, our addiction to the show, and the insidious nature of attention. This is what my film is about.

The cancellation of blacks in the history of cinema

The power of Jordan Peele’s cinema is they reveal the omnipresence of politics and above all racism, even in its most insidious forms. Therefore, talking about the history of the film show is also asking questions eviction of blacks of this story. He explains : “The part of African American history that we talk about is the ‘spectacularization’ of blacks, as well as our cancellation, from industry and many other things.” :

“I think in many ways this film is a response to Muybridge’s music video, which was the first series of photographs put in sequential order to create a moving image. He was a black man on horseback. We know who Eadweard Muybridge is, the man who created the clip, but we don’t know who that guy on horseback is. He’s the first movie star, the first animal trainer, the first stuntman ever shot and nobody knows who he is! This cancellation is part of what the main characters in this film are trying to correct. They are trying to claim their rightful place as part of the show. And what the film is also about is the toxic nature of our addiction to the show. “

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© Screenshot of the trailer on Youtube

Featured Image Credit: © Unviversal Studios

Source: Madmoizelle

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