The director of “Holy Spider” claims that his thriller “It is not a film about the conditions of women in Iran” – Cannes

“We didn’t make a film to highlight the plight of women in Iran, we didn’t make a film to do an activist job,” exclaimed the Iranian-Swedish director Ali Abbasi at the latest Cannes Film Festival competition. holy spider Photo at the press conference this morning.

It is ironic to note that at last night’s world premiere of the image, a protest was staged on the red carpet of the building, including women dressed in black firing smoke grenades and unfolding a banner of women killed by men in France. Cases of domestic violence. documentary film director female response He demanded credit for the protest that the image is surrounded Feminist collages in France condemning feminists.

holy spider Follow Said, the serial killer who is a mild-mannered husband at home and a loving father. However, when they leave the city once a week, he tends to go to hell to rid the holy city of Iran of Mashhad’s prostitutes. Your mission is 200 kills. A brave and motivated young reporter (Tsar Amir-Ebrahim) follows her to catch her. In the early 2000s, there was a serial killer in Mashhad who killed 16 street prostitutes. The police conspired to help him escape and gathered a crowd, all because he was doing God’s work.

Deadline critic Stephanie Bunber called holy spider “Thunder”, a detective thriller that “creaks and glows with rage”.

“All this means that I don’t know what the real story of these women is,” said the director of the real victim of the killer, stressing once again that “this is not a film about the situation of women in Iran”.

“The real story is that they are human beings. The real story is that they were in extreme poverty. “The real story is that they got married at 14, had two kids at 23, did useless things on the street and lost their teeth at 35,” she added.

“I’m not a huge fan of serial killers. He is not a fan of serial killer movies and is not interested in disclosing a crime. The fact that the murders took place; I followed them like the others. “It turned into something else and it became interesting to me when a certain segment of Iranian society, the press and the authorities started talking about this guy as some kind of selfless hero who sacrificed himself for the sake of his. society, “Abbasi said. . this morning.

“This isn’t a serial killer movie, it’s a serial killer community,” says Abbas.

“This is not a film against the Iranian government. It’s a black movie, “the director said.

“Everything just happens in a religious city,” he added.

As Andreas Weissman told you for the first time yesterday at the premiere of The Picture, the US rights to the serial killer thriller depend on the utopia of Robert Schwartzman and Cole Harper.