After decades of flawed interpretations by theater critics, we finally know the truth about Godot: who cares. It’s not me saying it, it’s Samuel Beckett. By emphasizing expectation, the author pushes frustration to its peak and tirelessly brings us back to reality. A dramatic gesture that still resonates today (and until April 8 at La Scala).
André Marcon (Margherita pizza, Lost illusions, Guys and Guillaume, at the table!…) and Gilles Privat (who in particular shot for Chantal Akerman) lend their characteristics to the play’s unlikely pair of stars. Masterfully directed by director (and actor) Alain Françon. What are we to think of his interpretation?
And if from the very beginning you liked the theater? Either way, that’s what Mathis, podcast manager at Madmoizelle and drama kings everywhere, thinks. Dramathis is a ten minute column to laugh, learn and dramatize every fortnight. Because life without drama is like a joke with no falls.
Dramathis is a fortnightly Madmoizelle podcast available on Apple Podcasts, Spotify, Deezer and all podcast platforms.
Source: Madmoizelle
Mary Crossley is an author at “The Fashion Vibes”. She is a seasoned journalist who is dedicated to delivering the latest news to her readers. With a keen sense of what’s important, Mary covers a wide range of topics, from politics to lifestyle and everything in between.
