We all have a favorite decade in Woody Allen’s extensive filmography. He is the one who must be one of the great geniuses of the history of cinema of the last sixty years. However, it seems practically certain that in most cases, the seventies and eighties would be the most important phases by almost anyone who has been asked about it. And the truth is, taking into account the number of masterpieces that good old Woody has amassed over those twenty years, it makes sense.
Woody Allen’s cinema in the 70s, from worst to best
8 ‘bananas’
Woody Allen’s second film plays in the same league as its predecessor, the hilarious ‘Take the Money and Run’, which, while losing something akin to the surprise factor, ensures a significant number of gags to remember. From start to finish, ‘Bananas’ is a comedy in which each of the lines falls to their feet, generating loud laughter from the dialogue and gesture. Special mention for an actor Allen dedicated body and soul in search of constant laughter. A little gem whose position in this list demonstrates the enormous level of its author since its inception.
Bananas in eCartelera
7 ‘The sleeper’
Science fiction as a playground and entertainment. Indicated at the time by the prestigious New York Times as, attention, ‘2001: A Space Odyssey’ by Woody Allen, a label as disproportionate as it is understandable in a certain sense, ‘The Sleepyhead’ is a prodigious comedy in which each scene takes on the tone and scent of cinematic gold. It might lose a bit of vigor in its final stretch, okay, but the amount of rewards in the form of memorable scenes achieved so far means that absolutely all is forgiven. Marvelous.
6 ‘Take the money and run’
Although ‘Take the Money and Run’, Woody Allen’s magnificent debut solo film after the unforgettable ‘Lily, the Tiger’, was released in the United States in 1969, it only came to our country in 1969. summer of 1972. it was worth the wait, as it is one of those hilarious comedies you see through the tears caused by infallible gags. Impossible to list all the lines to remember offered by one of Woody Allen’s great filmseven if it does not normally have the deserved consideration in the face of more cerebral and complex proposals.
Take the money and run in eCartelera
5 “Everything you wanted to know about sex but were afraid to ask”
As with all multi-story works, “Everything You Wanted To Know About Sex But Were Afraid To Ask” doesn’t always reach the same heights of genius, but when it does, and it is most of the time, comic success is about unmatched value. With an impressive cast as the icing on the cake for the project, Woody Allen composes an authentic symphony of laughter here whose power to entertain remains unchanged over time. Something very similar to such a masterpiece.
Everything you wanted to know about sex but never dared to ask eCartelera
4 ‘interior’
Perhaps because it was released after the acclaimed and award-winning “Annie Hall”, the superb “Interiors” was received rather coldly. It was also Woody Allen’s first play, a genre in which the director always looked to Ingmar Bergman’s Bible, so the impact between audiences and critics was overwhelming. However, let’s talk about it a sensational masterpiece where the direction, the script, the staging, the music and the extraordinary female cast are of an excellent level from the first to the last scene. A misunderstood prodigy that time is putting more and more into its rightful place within Olympus Allen.
Interior in eCartelera
3 “The last night of Boris Grushenko”
The great hidden gem in the very first bars of Woody Allen’s career is precisely from its title: “The Last Night of Boris Grushenko”. Precisely defined by various critics as the perfect mix of Tolstoy and the Marx Brothers films, this cult classic hits the bull’s-eye with every gag, revealing itself as entertaining in its delusional dialogues and scenes as it is fascinating in a noteworthy formal ending.
Boris Grushenko’s last night at eCartelera
Two “Annie Hall”
And Annie came. Throughout the seventies, Woody Allen had managed to present his crazy comedy model and had always stuck to the absurd in Hollywood. A successful path that exploded completely with the premiere of ‘Annie Hall’, for some, the definitive masterpiece of his career. For everyone, the definitive turning point in a dazzling career.
The box office, always pleasant with Allen’s films but rarely enthusiastic, turns completely upside down with this love story full of humor and melancholy that, in substance and form, hides much more than the classic story of a boy who he meets a girl, taking a spectacular leap of maturity for the director, even in his capacity as a screenwriter with a privileged mind. Even the Academy, historically averse to comedy, has given in, giving it five nominations and four Oscars, for best picture, best director, best original screenplay and best actress for a charming Diane Keaton. An indisputable triumph that has ended the myth of a film destined to become one of the great classics in the history of cinema. It met expectations.
Annie Hall of eCartelera
1 ‘Manhattan’
What praise can be added when speaking a monument of the seventh art the size of ‘Manhattan’? Probably none. Just to reiterate that, in fact, we are in all likelihood in front of the most rounded and essential work of that unique and essential director called Woody Allen. The classic is not up to par.
‘Manhattan’ is New York, Woody Allen, Diane Keaton, the perfect dialogue, the right scene, the right shot, the right camera movement, the unforgettable characters, the poetry in substance and form. There aren’t many films that are better directed or written by Allen. Returning to her is a luxury, but it should be an obligation. perfection in black and white. best woody allen key
Manhattan in eCartelera
Whether it was the most absurd comedy or drama with a slow tone and heartbreaking essence, riskier and more misunderstood propositions, yes, but equally entertaining, Allen began to become a giant film after film, displaying a talent, a personality and a universe. so unique its as essential. Then came peaks of incalculable heights, but the importance of the first steps always has something special.
Each of the films that make up this special contains the distinctive and recognizable stamp of its illustrious author, which presupposes a perfect gateway to Allen’s world. A space filled with wonderful gags, authentic golden dialogues, memorable characters and cinema in its purest form. The beginnings of an incomparable master.
Source: E Cartelera
