Tom Cruise Gee out to look at himself to be destroyed in Mission: Impossible – The Final Reckoning

When it comes to doing its stunts, Tom Cruise It doesn’t just make shots, she loves to look at them.

With Mission: Impossible – The Final Reckoning By abandoning digital August 19, fans can immerse themselves in depth in the action with some killer content behind the scenes.

A prominent functionality is a trace of comment in which Cruise Team with the director Christopher McquarrieAnd the two have clearly enjoyed reliving chaos. In a new clip of I9, Cruise seems to have peeked looking at himself by being launched in one of the many intense combat sequences of the film.

This is a peek in the mind of a boy who really gets a kick from the pain and precision necessary to make these sequences. The clip is rich in enthusiasm, especially from the cruise.

But this is only scratching the surface of what digital release has in store. Paramount packed this with a ton of fantastic extras:

Behind the scenes

• Taking flight – Cruise and Mcquarrie break down the crazy biplane acrobatics that pushes aerial action to new heights.

• To the depths -Asa deep immersion in underwater sequences, including high -tech water suits, the gimbal platform and amazing logistics behind everything.

• North – Go to the Arctic place while the team challenges the brutal conditions to capture some of the most surprising shots of the franchise.

• Through the mine – take a look inside the Middleton Mine sequence, in which the practical effects and the real danger clash.

• The score – take a look at the way the music of the film was created and how adrenaline amplifies.

Editorial content

• Assembly of canceled movies (with optional comments by Mcquarrie)-Sagatti never seen before and because they did not make the final cut.

• Olifants River Canyon (with optional comments by Mcquarrie)-The aerial sequence in South Africa.

• Transfer of biplane (With the comment of Mcquarrie and Cruise) – One of the most dangerous and technical stunts of the film gets a complete breakdown.

Comments

• Cruise and Mcquarrie become personal and technical in an integral track.

• Mcquarrie, the publisher Eddie Hamilton, and the first deputy director Mary Boulding bring intuition acutely.

• The composers Max Aruj and Alfie Godfrey, together with the manufacturer of Scee Cécile Tournesac, talk about elaborating the musical wrist of the film.

It is clear that the cruise is still all-in in the mission: Impossible Legacy, and even if this ends up being the last chapter, the yield of the final accounts seems to be leaving with a bang-and many bruises.

Your mission, if I had to choose to accept it, is to capture the mission: impossible – the yield of the final accounts when it affects digital on August 19th.