Carlota Casiraghi outshines the rest of the Grimaldi at the Rose Ball

After being canceled for two years due to the pandemic and postponed to July from March, the Salle des Étoiles del Sporting Monte-Carlo once again hosted the highly anticipated rose dancethis time with Christian Louboutin as master of ceremonies and The 1920s, the return in a manner of thread† If you’re wondering why this lavish Monegasque gathering has been held since 1964, combining fashion and royalty, we’ll tell you that the very purpose is solidarity and the aim is none other than fundraiser for the Princess Grace Foundation -currently chaired by Carolina de Monaco-. The money obtained through the evening auctions is used for humanitarian projects. For this reason the Grimaldi returned to meet as usual in a long-awaited date with infamous -very infamous- absences in the family photo, that of Princess Charlène among the most notable† Despite gradually restoring his agenda, it was previously reported that his return to official appointments would be slow for health reasons.

Of course the hosts in attendance returned to showing off their best clothes with outfits that paid tribute to this decade known as “the happy 20s” and marked by outfits of the fin, slightly shorter skirts, low waists, glitter, fringes, pearls, sequins… pure fantasy! Among those present, the children of Carolina de Monaco were fully presentwith the emphasis – as usual – Charlotte Casiraghi between all of them. Never mind Giambattista Valli’s bombastic dress dyed in the colors of the Monegasque flag she wore Alexandra de Hannover in what would be her first pose at the Bal de la Rose† Nor the Temperley London signed sequin design with which he surprised Tatiana Santo Domingo or the stately model in gray with a high neck and floral print, signed Dior, by Beatrice Borromeo† As was the case on Monaco’s national holiday last November, Princess Caroline’s daughter once again outshone the rest of the family from a distance.

The keys to Carlota Casiraghi’s view of the Baile de la Rosa

Of course he did it hand in hand with CHANEL, a firm for which she has been an ambassador since January last year† Specifically, he opted for a two-piece from the collection Haute Couture Spring-Summer 2022 of the House French – yes, the one in which Carlota herself made her debut on horseback on the catwalk – and in which Virgine Viard, creative director of CHANEL, argued for a cross-border reinterpretation of the 1920s in some of her designs.

Carlota was wrapped in a beautiful white design that could perfectly serve as wedding dress style vintage† A model with very thin straps, a V-neckline with a black bow, a peplum-effect bodice decorated with fine feathers and a long, straight skirt with a frayed edge. The whole piece features sequins and glittering appliqué that makes it sparkle with every step. Elegant, sophisticated and perfectly suited to the dance theme† But not everything ended here, but there was another point that did not go unnoticed by anyone: the haircut†

Carlota Casiraghi’s fake ‘bob’

According to his followers, John Nollet was the architect of the fake Bob with which Carlota collected her hair† The essence of this hairstyle lies in gathering the hair into a small bun that is just below the Bob at the neck. In this case, with a marked line on one side and hollowed out at the root, perfectly mimicking the one worn in the 20s. To top it off, embellished her updo hairstyle with a brooch at the bottom on the right, so choose not to wear earrings so as not to overload the look. A perfect option to inspire your next guest hairstyle.

Charlotte Casiraghi at the Longines Global Champions Tour

The truth is that the rose dance has not been the only moment when Carlota Casiraghi has conquered us with her outfits the whole month of July. And it is that already in the Longines Global Champions Tour, an annual equestrian competition, stole our hearts with two other models signed by CHANEL. On the first occasion it was with a short coral dress with neckline halter and cascading ruffles which he accompanied with black and white platform sandals covered with the logos of the House†

A day later he returned to succumb to the logo mania of the Parisian firm, but this time through a long, pleated dress with French sleeves, a round neckline, cut at the waist and button closure on the front. The design combined shades such as ecru, navy, pink and black in a refined and sublime way. An untidy bow took sobriety off the outfit, while other platform sandals slipped between her fetish accessories.

Without a doubt, Princess Carolina’s daughter has once again shown that she is currently one of the royal family plus cool And no wonder! With predecessors such as Caroline van Monaco and Grace Kelly, elegance is in the DNA.