In recent decades, the world of cinema has shifted almost exclusively to franchises, with screenwriters getting more and more wrong as they change and keep changing over lengthy development processes. This is a punitive form that can be demoralizing for writers who often spend months in open writing assignments. But as more streamers try to add content to their films, screenwriters find new opportunities to move the script.
The high-profile comic book debut, which debuts next year, has just been sent to the WGA for the script, and insiders told Deadline that the impressive 45 screenwriters had some involvement with the script at various stages. of the development process. According to a source close to the project, the likelihood of all these writers receiving credit is “next to impossible”. And while this may be an extreme example, the involvement of up to 20 screenwriters in the script has become very common. This can be particularly frustrating for the original writers when it comes to the credit bonus they receive when the guild signs whoever gets the last line of the script. According to various literary agents, writers often rely on these huge credit bonuses, and the fear that they won’t come is increasingly expressed.
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But last year, screenwriters began to give hope as streamers scrambled to overtake big studios for high-end screenwriting with A-list talent. William and Collage. Ე Horse riding He sold more than $ 100 million to Apple, alongside Will Smith, who was joined by star and director Antoine Fukua. Ehren Krueger’s untitled Formula 1 script, which includes Brad Pitt, also sold more than $ 200 million to Apple. In both cases, the authors received adequate upfront compensation and were in a stronger position to control the rewrite process.
These sales have been some of the biggest, but streamers’ interest in original content seems to indicate that the trend isn’t going to fade anytime soon. An agent describing the streamer list says, “We have these big buyers with these huge, bare houses. At one point, we were just filling their shelves;” The writers now give them furniture. “
It is an approximation to the origin of the project that begins to permeate the theatrical side of the company as well. MGM recently purchased the package challengers, written by Justin Kuritzkes, with Luca Guadanino and Zendaya. Kuritskes wasn’t even a member of the WGA when the package was sold, but given the need for MGM, he competed with the streamers, the studio paid a lot of money, and Kuritskes got a seven-figure paycheck.
This isn’t just a better paycheck for writers who walk away with these big sales. They also find that the new leverage is a significant part of the deal, the deal producer, and the executive producer credits, making it difficult for the studios to take them out of the process. In some cases, like selling a seven-digit Netflix number We are Writers Gregory Weidmann and Jeff Tock: The deal includes a provision not to change writers at all.
Over the years, the theater business has lost the power of writers and destroyed a specific market. But as the battle for content intensifies, special stars take over.
Source: Deadline
