Binjvotching and Dumstriming: How did flows affect our habits? Film Collector Peopletalk Artem Remizov says

In the last decade of films and TV shows, there are so many things that there is a person who manages to watch everything. Every month, an innovation, which is declared as another sensation, has been published, but they finally forget in a week. Corrected with the Fomo effect, we watch TV shows one after another, we don’t have time to grasp them.

How did the abundance of content reduce the sanctity of the film? Are those who propose the death of film distribution? Is it true that there is less series of feelings? How did flow culture affect our habits?

We asked Artem Remov to answer the telegram channel “Remorizorero”, which emphasizes the most exciting events in the world film industry every month, and make sure to “View”.

Artyom Rizov, Film Columnist Peopletalk

I recently went to watch the film “Plagator” in the cinema. Like a big boy, I bought a ticket in Network cinema on Sunday evening, I bought a popcorn, pile, and there was only one in the film. The story is amazing: The Day, a highly introduced film (even if it seems to stop the marketing of the picture after the first week of renting), there are songs known to everyone who knows how to have fun in Casta. In short, they are all components for collecting the cashier. He climbed to watch the fees of the film, and on August 6, 150 million rubles. When I looked at this figure, I thought and would the film in the streams succeed? And in general, can online platforms and offline, support, assistance and support to each other?

The online cinema burst, which we already talked about more than once, created an incredibly strong Fleur around the view of the content of the house. We have seen masterpieces and failures, everyone spoke, merger and collaborations. And with such a flow take -off, offline cinemas looked a little complicated, and the audience didn’t understand what to do to stay at the focus of his attention.

Cinemas are now becoming more and more places not only for film sessions. And now, I’m not talking about the Pathos stories when the rapper draws full halls to impress the girl or to look at the clips on the big screen. Today, foreign musicals, documentaries, retrospectives and even music concerts are shown in our calls for cinema. On the one hand, this is a variety and on the other hand, it is a financial crisis because of the separation of the Great Hollywood Meagegers, who broke box office records. At the same time, in 2024, wages in our cinemas grew compared to 2023. In other words, despite the fact that the numbers have fallen at the beginning of this year, things cannot be said to be worse.

Personally, I do not share the conversations that cinemas expect inevitable death. This is impossible even if every second series of online cinema gains a cult status. A trip to the cinema was always free time and will have fun. It doesn’t matter how many foreign films have access to, or which part of the Cheburashka go to the cinema, people will always perceive the journey to the cinema as a special thing by going beyond the usual norms. But when it comes to watching the series at home, it turned into a certain base: in the evening, he came home from work, ate dinner and opened the series on TV TV before going to bed. Part of the routine, not the opposite.

But how can I interact with cinemas and flows? The latest example of the series “Travel to the Sun and the Back” showed an example of such a cooperation: Rome Mikhailov’s work was first shown as a part of the MMKF in theaters, and in honor of its recent release, there was a small marathon of all sections in the cinema. And even though the halls were completed, people bought tickets and watched a small range. It seems to me that such a plan has advantages. Yes, not for all TV shows, but for Hype heard.

This format, one of the closest versions of the flow, follows the premiere of the series, “Moscow does not believe in tears. Everything is just starting”. View all these on the big screen is a pleasure. A week before it is published in theaters, we take a marathon to the series: every day we show all the episodes on top of each other. Yes, a large number of halls will eat, but with Nagiyev and CO, it is much better than showing second -class comedies. It will add some freshness to these cinemas and the audience will expand the audience.

You can also do with foreign series. For example, AMANTEKEK is one of the few people who continue to buy the rights of foreign series. It was officially the efforts of today’s time showing Dragon House. So why don’t you return the story they experienced during the years when the last seasons of the “Game of Thrones” emerged? Later, they organized the premiere of the first episodes in the stadiums, they made all kinds of cooperation and offline intestines. Just imagine: The first two parts of a fraud like the “Dragon House üzerinde on the big screen of the first hall of October cinema. It continues to sell tickets, search for cosplayers and organize a thematic buffet in the environment of the series. It seems to me that this will happen.

The film events are becoming increasingly less and the series that has become more and more cult. So why don’t you use it at the box office, you don’t help with the same cinemas? We think.