‘Everything Everywhere All At Once’ surpasses $ 20 million and puts the arthouse back on track as Daniels’ photo appears to become 4th highest for A24

For a long time, it was not uncommon for distribution managers to overshadow each other’s success, but in the case of the A24 All everywhere at once Nothing but the joy of leaving Hollywood for the success of a New York-based independent studio with a fantastic martial arts film by Dan Quann and Daniel Schneert.

At a time when the executives of all the studios in the city are wondering what works on the big screen – besides superhero films -, as the pandemic calms down and specialized cinema is slowly recovering. all everywhere at once Karate to fill that void and clean up the $ 20.5 million platform launch.

Yes, platform launch, do you remember them? The latest box office capitals in New York and Los Angeles, opening scheduled for early 2021 and niche viewers looking to return, most independent distributors have pushed for the extension of the pre-pandemic platform, which means the debut in two major US theaters and gradually increasing. Footprints, DMA market for DMA, great reviews and loud noises. Instead, most specialty retailers, including Searchlight and Focus Features, have largely opted for their Arthouse pricing to be plugged into their home accessories and banked as soon as possible.

From the door, All everywhere at once After its explosive and well-received world premiere as the opening of SXSW, it was released on March 25 in 10 theaters for $ 501,000, averaging $ 50,000 per film, in the Best Limited and Mid-Theater Debut of 2022. Pandemic Medium Theater for Limited Edition after MGM / UAR licorice pizza ($ 86,200). internal gross all everywhere at once It has already passed the Oscar nomination for Best Picture by Paul Thomas Anderson licorice pizza ($ 17.3 million) and the launch of another famous pandemic art house, Wes Anderson’s French forwarder ($ 16.1 million).

The film in which he participates Suppressed tiger, hidden dragon Star Michelle Yo, genre legend Jamie Lee Curtis, emerging actress Stephanie Hsu and returning performance Gunies Y Indiana Jones and the Temple of Doom Star Ke Hui Kuan has more momentum than the A24 spring 2015 cult previous car (which finished the show at $ 25.4 million) and is likely to be the studio’s fourth-highest-grossing film since then. uncut gems ($ 50 million), ladybug ($ 49 million) e Hereditary ($ 44 million), Oscar winner for Best Picture Moonlight ($ 28 million).

SXSW Review: “All everywhere at the same time” by Daniels

Now what do you create all everywhere at once The bonfire in the art houses is that it turns to demonstrations that power up cash registers during the pandemic, ages 18 to 34. In its long hiatus, PostTrak’s view results for April 8-10 show nearly 70% of this demographic. So, if you are wondering how to fill special cinemas or what works in independent cinema, make more films that appeal to 18-34 year olds. And the truth is that it’s a young audience that A24 has been betting on for 10 years with films like Spring Breakers, hereditary, Midsommar etc.

Meanwhile, to art houses across the country, to the paraphrase of a single Massachusetts theater director, Everything “He is similar Batman.As the outlook shifted to a strong game in the AMC circle, where Burbank 30 was the country’s top earner last week at $ 268,000 and New York’s Lincoln Square for a third time at $ 244,000, Everything Also appearing at Alamo Drafthouse in Brooklyn (image # 2 for $ 265,000), as well as Alamo New Mission in San Francisco, Alamo South Lamar in Austin, The Landmark in Los Angeles (where Picture is # 1. The film was held in its fourth week), Scotiabank Cineplex in Vancouver, Alamo Drafthouse LA, Williamsburg Cinemas in Brooklyn, Nitehawk Cinema in Brooklyn, Coolidge Corner in Boston and Cinépolis Chelsea. AGBO tickets for Daniel’s film co-financed by Lilin were sold by several attendees at Imax (held March 30), of which we know others will be attending this large-format audience next week.

How does A24 do this? Keep in mind I’m not the type of distributor who buys most TV commercials across the country (that’s what Focus Feature is doing this weekend for New Regency’s $ 70 million Net Viking epic) . northern man). The retailer spends its ad dollars heavily on digital and social media, the rewards of which can be seen in the Till and PostTrak outputs. of those who have learned Everything27% said they were pushed to watch it in theaters because of the trailer, 26% on YouTube, 22% watched the trailer online, and only 11% watched the TV clip.

Daniels’ actors spend “everything everywhere” for their lives – SXSW Studio

The A24 conducted oral testimony, gave Alamo Drafthouse testimony with Daniels questions and answers, and was the first ever in San Francisco al Castro, with a total attendance of 1,400 rallies and knockout.

With all of this coming out orally, PostTrak claimed 46% were gone all everywhere at once As they found it was good, 31% went to someone who wanted to see it and 31% also said they bought tickets for Yeoh and Curtis. Five stars across the board For everyone Men over 25 (40%) give 88%, women over 25 (26%) give the same rating, men under 25 (22%) give 90% and women under 25 years (13%) 85%. The diversity displays are 46% Caucasian, 21% Asian, 17% Spanish and Latin, and 12% black. In short, the best way to create an audience: use cinema and use theaters.

Everything Filming was completed before the pandemic began, in early March 2020, and post-production followed. The A24s have reasonably grabbed this gem, which will be widely seen later this year for awards season; Yeoh has yet to be recognized by the Oscars. The UK opens May 13 with the launch of the EST starting in mid-May. Do not expect much from the window of the house for those who watched Everything: 32% said they saw it again in the cinema. It won’t be shocking to see this movie, which is still in the top 10 and second multiplayer option (award-winning, not Marvel) after many Doctor Strange in many worlds of madness Opens May 6th.

Joe Garel, Vice President of Cinépolis, said: “The film makes fantastic deals for viewers who want to see something different. This is an art and essay film that has crossed borders and gone commercial. It is a win for independent cinema and shows that there is an audience to see different films. Hopefully we will see more theater-like products, which will give more incentive for the audience to come back in full force. “