“It looks like things started to get complicated after the first ‘Avengers’ movie”, “Marvel Knows It Can Leverage Special Effects Artists For “Just One More Version”‘”, “They want so many options that they can change their mind three more times”, “Artists who work on Marvel shows and movies are definitely not getting paid commensurate with the amount of work they do.”… The special effects industry is shaking these days with a common enemy: Marvel Studios.
Interestingly, the fuse took a month to ignite, but right now the conversation couldn’t be hotter than a Reddit post designed to “pull the blanket”. “I’m sorry, but I had to get this off me”one computer-designed image artist says that can no longer with the policy of the aforementioned study.
In the message that has already had its days on Reddit but hasn’t attracted attention so far, the artist claims that “Marvel has arguably the worst method of producing and managing visual effects around. I’m never able to freeze the look of a show or movie before more than half of the allotted development time has elapsed. Artists who work on Marvel shows and movies are definitely not getting paid for the amount of work they do. The fascination of working on a Marvel movie is overrated And, after decades and decades, I’d rather be happy to be working on a TV series “. Impossible clearer.
In response, many colleagues agree. “Things have gotten pretty complicated. It took me months to get through the burnout of the last job I did for Marvel.. Now I try to avoid them at all costs “., “Completely agree. After 6 years of special effects for non-Marvel movies / series, last year I had his own project. Absolutely the worst project I’ve ever worked on… I didn’t know how complicated a project could be until I participated in that “, “Also, either you are overwhelmed and get no creative influence or you are trying to please 5 or 6 different people, all with conflicting opinions and ideas about how it should be done.”, “I haven’t worked on a Marvel project since 2012 (and I constantly ask that nothing be awarded to me by Marvel Studios). I don’t miss it at all.”.
“After many years in the industry, I have to say that working on Marvel movies It was one of the worst experiences I’ve ever had.. The unlimited money they have and the power that comes with it, combined with their endless movie churro, created it worst customers ever. I avoid Marvel movies like the plague.”.
The part of the industry so deeply upset cites 2012 as the last year in which working conditions with Marvel have been satisfactory. “I can’t be 100% sure, but it seems to have started to get complicated after the first “The Avengers” movie.. After that, the few Marvel movies I’ve worked on have led to a lot of weird situations. “.
holy shit pic.twitter.com/IvSdLng0qa
? AJ ???? # FlashPack (@AjepArts) July 7, 2022
In defense … with tweezers
In the same thread there are also positive opinions (albeit much less so) that emphasize the positive side of collaborative work with Marvel. Sure, even in the most flattering comments there are details that recall the ‘discomfort’ to develop images within the Marvel Cinematic Universe.
“I’ve worked on about 5 Marvel movies and loved it. They are very collaborative and give you the opportunity to design and come up with new ideas. If it doesn’t work, they ask you to revert to a default look. The real problem is when the series or film doesn’t say no or aren’t realistic with the lenses, when they promise too much in terms of visual effects.. I recommend that you make sure the problems are coming from Marvel, because they could be internal. It is true that the thing of a thousand changes of costume happens all the time “.
“I was just lucky (?) To work alone on a Marvel series and honestly had a lot of fun, but it was probably because my supervisors and their relationship with Marvel were such that they had a lot to say about the process.”.
Source: E Cartelera
