Josh Brolin shares his experience by shooting his “WTF?” Moment in arms

What I love of humor in horror films is that a nice laugh can prepare for a solid fright or give you a breath after an intense sequence. This is exactly what the writer and the director Zach Cregger Pulled out in his latest cinematographic weapons and one of the best moments is Josh Brolin’s Confused, intoned “what is the f*ck?!”.

When Weapons He hit the theaters at the beginning of this summer, the reaction of the crowd to Brolin’s birth was explosive. It is that rare moment when the times, the tone and the absurdity are aligned so perfectly that it becomes unforgettable. In fact, none other than David Fincher It called it “the largest line in history grouped R”.

The scene takes place immediately after Brolin’s character wakes up from a terrifying nightmare and his excavated explosion offers a perfectly timed shock of the laughter that cut the tension.

But however fun and spontaneous as you feel on the screen, it turns out that that moment was the product of several shots. Brolin spoke of his experience in shooting this scene, saying:

“I am happy that he chose what he has chosen. We laughed every time we do it … you try different and, again, he puts himself there and he gets things and he is how, you know, when I think maybe it’s the right one …

“But I have been long enough to know that the right one is never necessarily the right one. Something that seems the best may not be right for him in the assembly room. So we did, I don’t know, maybe we made six.

This is what makes the process behind the scenes so beautiful. Directors like Cregger are not just chasing the “best” socket. They are looking for options and what works on the set does not always play in the same way once it is cut together. And the “Just off” version of Brolin is a perfect example of that instinct that pays.

There is a common assumption that the directors who require the most shots are indecomously, but this moment shows that it is more nuanced. The rhythm and tone of a scene can drastically move once the music, the rhythm and the surrounding performances come into play.

A performance that seemed perfect during filming may not hit the same once it has been put in the broader picture. That’s why moments like this are so precious, they show how editing and performance work together to make the magic of the film.

Also, I think the study needs to publish a special function with each version of Brolin who screams “what the f*ck?!”?

Weapons It is still going strong, and has turned into one of the most discussed films of summer, led by an acute direction, a tonal balance killer and a great cast that includes Julia Garner, Alden Ehrenreich, Austin Abrams, Benedict Wong, Cary ChristopherAND Amy Madigan.

If you haven’t seen it yet, do a favor and take it in a full theater while you can still. Experimenting “what the f*ck?!” The moment with a live audience is absolutely worth it.