Frankenstein of Guillermo del Toro is previewed with enthusiastic reviews at the Venice Film Festival

Guillermo del Toro has finally revealed his long -awaited passion project, Frankensteinand critics are already calling him one of his best successes.

The film was presented in a world preview at the Venice Film Festival, where he was welcomed with light reviews that praised him as both faithful Mary Shelley’s The legendary novel and the creation of Del Toro uniquely.

Del Toro has chased this monster since childhood. In a press conference in Venice he said:

“I have followed the creature since I was a child. I waited for the film to be made in the right conditions, both creatively in terms of reaching the area to make it different and to make it on a scale that you could reconstruct the whole world.”

Although the project has used more than a decade to realize, its permanent obsession for the story of Shelley has led to a film that the critics call lush, emotional and surprisingly authentic.

The first reviews suggest Frankenstein It is not just another reinterpretation, but something boldly personal. The envelope called it a “wildly pleasant and deeply touching film”, adding that the “passion for the story of Del Toro droplets from every frame”.

He praised the film as “an extraordinary result that in a certain sense diverted the peak story of the horror genre and transforms it into a story of forgiveness”.

This attention to intimacy and humanity reflects the vision of Del Toro’s film. He insisted that his adaptation does not concern artificial intelligence or modern fears, but rather “an unconventional but complex family drama”.

Other critics are equally enthusiastic:

Radiotimes.com greeted him as “without a doubt one of the most splendidly made films you will see this year”, praising the work of Cinematographer Dan Laussencomposer Alexandre Desplatand production producer Tamara Devell.

Vulture noticed: “Whatever its defects, the director filled FRankenstein Apparently everything he loves and reflects his obsessions. It looks like the work of a real madman. “

The time out called him “strong, bombing, sublime and foolish”, while he also celebrated his Gothic world of “Torri waving above the precipices, the cellars drip empty and women wear impossible clothes in the snow”.

Little White Lies described it as “operating in mode and scale”, saying that the Spirit of Shelley’s Toro Canna while freeing itself from an old soil.

Indiewire declared: “If you want a film of vintage monsters that is solid, almost drawn up in its robustness, you don’t have to knock on wood to make sure that the bull maintains the most intimate essence, the soul of cinema, at least lives.”

The Hollywood journalist called him “one of the best” of Del Toro “, celebrating his” epic scale narration of beauty, feeling and uncommon art “.

The envelope has doubled, describing it as “a director who returns to his roots at a time when he has the skills to grow those roots in something enormous and singular”.

With its sumptuous production, powerhouse shows and emotional narrative, Frankenstein It could end up being one of Del Toro’s distinctive works.

Del Toro, who has already given us classics like Pan’s Labyrinth AND The shape of the waterIt seems to have found a new way of honoring Shelley’s monster while reinventing it for the modern audience.

In October, we will finally see the entire area of ​​this Gothic vision in cinemas, followed shortly after by its version of Netflix.

The film, which is interpreted Oscar Isaac, Jacob Elordi, My GothAND Christoph WaltzHe will arrive in cinemas on October 17 before making his streaming debut on Netflix on November 7th.