Stephen King calls Mike Flanagan the “Quentin Tarantino of Horror” after seeing the fall of Usher’s house

Stephen King just given Mike Flanagan One of the highest compliments imaginable for a horror director. After finally watching The fall of the house of the usher On Netflix, the master of the horror itself led to X to share his thoughts, and yes, they are a little a big problem.

“The fall of Usher’s house (Netflix): I got lost when it bowed due to the hip surgery, but this is a case of delayed gratification,” King wrote. “Space, involving, with witty writing and moves the plot. There is a case to do for Mike Flanagan which is the Quentin Tarantino of Horror.”

Tarantino is known for his distinct narrative voice, deep gender love and unforgettable dialogue. He says a lot that King sees Flanagan in the same creative alloy, especially in the horror genre.

I loved the Fall of the house of the usherAnd now after reading King’s comment, he makes me want to go back and look at him again.

The Netflix Limited series reinvents the works of Edgar Allan Poe, combining stories such as how The revealing heart, The mask of red deathAND The crow under the chilling picture of the The fall of the house of the usher. The result is a wild and gruesome Gothic descent full of the slow snap disorder of Flanagan and the rich work of characters.

Flanagan’s connection with King is deep. Is already adapted Game’s game, Sleep doctorand his most recent film Chuck’s life. He is also working on new versions of Carrie AND The dark towerSo this creative relationship is clearly not slowing down soon.

Outside the world of King, Flanagan made a name with his incredible race on Netflix, offering horror blows like The pursuit of Hill House, Bly Manor’s obsessivenessAND Midnight mass. Each of these projects has brought something new into the genre consolidating Flanagan as one of the most coherent horror narrators who work today.

The next in the world of adaptation of Stephen King is The long walkdirected by Francis Lawrence (The Hunger Games), which focuses on a mortal resistance competition in which 100 teenagers are forced to continue walking until only one remains.

If you haven’t already looked at The fall of the house of the usherNow it’s time. Or perhaps, like the king, it is a perfect excuse for a satisfaction of a delayed gratification.