The Telegraph discusses the prospects of Russian makeup artists after the departure of the gloss: "Like there’s nothing to breathe"

The Telegraph discusses the prospects of Russian makeup artists after the departure of the gloss: "Like there’s nothing to breathe"

The Telegraph discusses the prospects of Russian make-up artists after the departure of the gloss: “As if there was nothing to breathe”

The Telegraph discusses the prospects of Russian makeup artists after the departure of the gloss: "Like there’s nothing to breathe"


Former editor-in-chief of Vogue Ksenia Solovieva spoke to five sought-after makeup artists (Nadezhda Knyazeva, Olya Charandaeva, Nika Kislyak, Alena Moiseeva and Yulia Bondarenko) and posted a summary of the conversation on her telegram channel:

Julia Peresild and Olga Charandaeva
Julia Peresild and Olga Charandaeva

The telegram channel “Antiglanets” joined the conversation:

Agree with the description and stylist Mikhail Baryshnikov:

Mikhail Barisnikov
Mikhail Barisnikov

– “Anti-shine” continued.

Discussions about whether domestic glossy magazines will survive the sanctions and economic isolation have been actively going on for several months. Telegram channels predicted death for the classic brilliance, recently Igor Gulyaev suddenly accused the editors of extortion, and Alexander Rogov complained that it is difficult for Russian designers to get on the pages of leading publications without the necessary contacts.

Some believe the industry is actively transforming. “Her lifestyle has gotten smarter, smarter and more mature in general and she realized that you can’t go too far in naked consumerism,” said Dmitry A. Bykov, editor-in-chief of GQ and Vogue magazines. Some publications have differentiated themselves from international publishing houses by changing their names. But the problem with advertisers remained clear: more and more brands are leaving the Russian market every day (today the Lush brand announced its departure).

As for the former brilliant employees, many of them adapted to the new realities and began to manage their own Telegram channels. Almost all former employees of Condé Nast have taken this path.



Source: Spletnik

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